Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 sidor |
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Sida 295
... composition and in a smaller degree , affect not the or- gans with a sensible delight or uneasiness , we exclude the person from all pretensions to this delicacy . To produce these general rules or avowed patterns of compositions is ...
... composition and in a smaller degree , affect not the or- gans with a sensible delight or uneasiness , we exclude the person from all pretensions to this delicacy . To produce these general rules or avowed patterns of compositions is ...
Sida 332
... composition as well as the composition by that of the principles . We ought to compare our subject with things of a similar nature and even with things of a contrary nature , for discoveries may be and often are made by the contrast ...
... composition as well as the composition by that of the principles . We ought to compare our subject with things of a similar nature and even with things of a contrary nature , for discoveries may be and often are made by the contrast ...
Sida 579
... composition from this constitution of our nature , are objects far beyond the limits of these Essays . I must satisfy myself , therefore , with observing in general that , in the fine arts , that composition is most excellent in which ...
... composition from this constitution of our nature , are objects far beyond the limits of these Essays . I must satisfy myself , therefore , with observing in general that , in the fine arts , that composition is most excellent in which ...
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INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Upphovsrätt | |
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Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
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action admiration ancient appear association beauty better called cause century character comedy common considered criticism delight discover Dryden effect English Essay example excellence experience expression fancy follow French genius give greater Homer human humor ideas images imagination imitation Italy judge judgment kind knowledge language learning less living manner matter means mind moral nature never objects observed once opinion original painting particular pass passions perfect perhaps persons philosophers play pleased pleasure poem poet poetry practice present principles produce proper qualities reader reason relation represented rules satire scenes seems sense sentiments Shakespeare sometimes sort speak spirit stage sublime taste theory things thought tion tragedy true truth turn understanding University variety verse whole writing