Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 sidor |
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... give battle , and appear victorious in the next act ; and yet , from the time of his departure to the return of the Nuntius , who gives the relation of his victory , Aethra and the Chorus have but thirty - six verses ; which is not for ...
... give battle , and appear victorious in the next act ; and yet , from the time of his departure to the return of the Nuntius , who gives the relation of his victory , Aethra and the Chorus have but thirty - six verses ; which is not for ...
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... give pleasure , it is not to be expected that in every individual the pleasure will be equally felt . Particular incidents and situations . occur which either throw a false light on the objects , or hinder the true from conveying to the ...
... give pleasure , it is not to be expected that in every individual the pleasure will be equally felt . Particular incidents and situations . occur which either throw a false light on the objects , or hinder the true from conveying to the ...
Sida 365
... give us the true portrait of a seraph ? He can give us only what by his own or others ' eyes has been seen , though that indeed infinitely compounded , raised , burlesqued , dishonored , or adorned . In like manner , who can give us ...
... give us the true portrait of a seraph ? He can give us only what by his own or others ' eyes has been seen , though that indeed infinitely compounded , raised , burlesqued , dishonored , or adorned . In like manner , who can give us ...
Innehåll
INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Upphovsrätt | |
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Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
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action admiration ancient appear association beauty better called cause century character comedy common considered criticism delight discover Dryden effect English Essay example excellence experience expression fancy follow French genius give greater Homer human humor ideas images imagination imitation Italy judge judgment kind knowledge language learning less living manner matter means mind moral nature never objects observed once opinion original painting particular pass passions perfect perhaps persons philosophers play pleased pleasure poem poet poetry practice present principles produce proper qualities reader reason relation represented rules satire scenes seems sense sentiments Shakespeare sometimes sort speak spirit stage sublime taste theory things thought tion tragedy true truth turn understanding University variety verse whole writing