Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 sidor |
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Sida 162
... humor . Humor defined something congeneric but somehow distinct . Generally , humor is nature ; wit is art . Wit is intellectual , impersonal , and learned , and causes surprise ; humor is of unforced growth , has something warm ...
... humor . Humor defined something congeneric but somehow distinct . Generally , humor is nature ; wit is art . Wit is intellectual , impersonal , and learned , and causes surprise ; humor is of unforced growth , has something warm ...
Sida 164
... Humor is " a picture of particular life , as comedy is of general . " Temple was followed , in turn , by Dennis and , finally , by Congreve ( see p . 174 ) for whom humor is a just imitation of the particular and extravagant diversities ...
... Humor is " a picture of particular life , as comedy is of general . " Temple was followed , in turn , by Dennis and , finally , by Congreve ( see p . 174 ) for whom humor is a just imitation of the particular and extravagant diversities ...
Sida 175
... humor , since there are many men of the same opinion in many things who are yet quite different in humors . But though we cannot certainly tell what wit is or what humor is , yet we may go near to show something which is not wit or not ...
... humor , since there are many men of the same opinion in many things who are yet quite different in humors . But though we cannot certainly tell what wit is or what humor is , yet we may go near to show something which is not wit or not ...
Innehåll
INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Upphovsrätt | |
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Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
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action Addison admiration Aeneid ancient appear Aristotle audience beauty Ben Jonson called character comedy common composition criticism delight discourse dramatic Dryden effect eighteenth century English epic epic poetry Essay Essay on Criticism excellence expression Falstaff fancy Francis Hutcheson French genius give Gondibert heroic Hobbes Homer Horace Hudibras human humor ideas Iliad images imagination imitation Johnson Joseph Warton judge judgment Juvenal kind language laughter learning living mankind manner means Milton mind modern moral nation nature neoclassic neoclassicism never numbers objects observed opinion original Ovid painting Paradise Lost particular passions perfect perhaps persons philosophers play pleased pleasure poem poesy poet poetical poetry Pope principles produce reader reason resemblance rhyme ridiculous rules satire scenes sense sentiments Shakespeare Silent Woman sometimes spirit sublime taste theory things thought tion tragedy true truth verse Virgil virtue words writing