Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 sidor |
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... original but the accidental connection of two ideas ; which either the strength of the first impression or future indulgence so united that they always afterwards kept company together in the man's mind , as if they were but one idea ...
... original but the accidental connection of two ideas ; which either the strength of the first impression or future indulgence so united that they always afterwards kept company together in the man's mind , as if they were but one idea ...
Sida 99
... original , I confess , is not much to the honor of satire ; but here it was nature , and that depraved ; when it became an art , it bore better fruit . Only , we have learnt thus much already , that scoffs and revilings are of the ...
... original , I confess , is not much to the honor of satire ; but here it was nature , and that depraved ; when it became an art , it bore better fruit . Only , we have learnt thus much already , that scoffs and revilings are of the ...
Sida 361
... original ; that is a perfect stranger , and all throng to learn what news from a foreign land . And though it comes like an Indian prince , adorned with feathers only , having little of weight , yet of our attention it will rob the more ...
... original ; that is a perfect stranger , and all throng to learn what news from a foreign land . And though it comes like an Indian prince , adorned with feathers only , having little of weight , yet of our attention it will rob the more ...
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INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Upphovsrätt | |
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Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
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action admiration ancient appear association beauty better called cause century character comedy common considered criticism delight discover Dryden effect English Essay example excellence experience expression fancy follow French genius give greater Homer human humor ideas images imagination imitation Italy judge judgment kind knowledge language learning less living manner matter means mind moral nature never objects observed once opinion original painting particular pass passions perfect perhaps persons philosophers play pleased pleasure poem poet poetry practice present principles produce proper qualities reader reason relation represented rules satire scenes seems sense sentiments Shakespeare sometimes sort speak spirit stage sublime taste theory things thought tion tragedy true truth turn understanding University variety verse whole writing