Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 sidor |
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Sida 143
... passion , if it is strong , I call enthusiasm . Now the enthusias- tic passions are chiefly six - admiration , terror , horror , joy , sadness , desire1 - caused by ideas occurring to us in meditation , and produc- ing the same passions ...
... passion , if it is strong , I call enthusiasm . Now the enthusias- tic passions are chiefly six - admiration , terror , horror , joy , sadness , desire1 - caused by ideas occurring to us in meditation , and produc- ing the same passions ...
Sida 147
... passions , horror , sadness , joy , and desire , but that even the ordinary passions which contribute most to the greatness of poetry , as admiration , terror , and pity , are chiefly to be derived from religion ; but that the passions ...
... passions , horror , sadness , joy , and desire , but that even the ordinary passions which contribute most to the greatness of poetry , as admiration , terror , and pity , are chiefly to be derived from religion ; but that the passions ...
Sida 352
... passions of others , and that we are easily affected and brought into sympathy by any tokens which are shown of them ; and there are no tokens which can express all the circumstances of most passions so fully as words ; so that if a ...
... passions of others , and that we are easily affected and brought into sympathy by any tokens which are shown of them ; and there are no tokens which can express all the circumstances of most passions so fully as words ; so that if a ...
Innehåll
INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Upphovsrätt | |
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Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
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action Addison admiration Aeneid ancient appear Aristotle audience beauty Ben Jonson called character comedy common composition criticism delight discourse dramatic Dryden effect eighteenth century English epic epic poetry Essay Essay on Criticism excellence expression Falstaff fancy Francis Hutcheson French genius give Gondibert heroic Hobbes Homer Horace Hudibras human humor ideas Iliad images imagination imitation Johnson Joseph Warton judge judgment Juvenal kind language laughter learning living mankind manner means Milton mind modern moral nation nature neoclassic neoclassicism never numbers objects observed opinion original Ovid painting Paradise Lost particular passions perfect perhaps persons philosophers play pleased pleasure poem poesy poet poetical poetry Pope principles produce reader reason resemblance rhyme ridiculous rules satire scenes sense sentiments Shakespeare Silent Woman sometimes spirit sublime taste theory things thought tion tragedy true truth verse Virgil virtue words writing