Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 sidor |
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... perfect the more he re- sembles his Creator , the works of man must needs be more perfect the more they resemble his Maker's . Now the works of God , though infinitely various , are extremely regular . The universe is regular in all its ...
... perfect the more he re- sembles his Creator , the works of man must needs be more perfect the more they resemble his Maker's . Now the works of God , though infinitely various , are extremely regular . The universe is regular in all its ...
Sida 254
... perfect in their several kinds are perhaps Homer , Virgil , and Ovid . The first strikes the imagination wonderfully with what is great , the second with what is beautiful , and the last with what is strange . Reading the Iliad is like ...
... perfect in their several kinds are perhaps Homer , Virgil , and Ovid . The first strikes the imagination wonderfully with what is great , the second with what is beautiful , and the last with what is strange . Reading the Iliad is like ...
Sida 345
... perfect but we can perceive it is imitation , and on that principle are somewhat pleased with it . And indeed , in some cases , we derive as much or more pleasure from that source than from the thing itself . But then I imagine we shall ...
... perfect but we can perceive it is imitation , and on that principle are somewhat pleased with it . And indeed , in some cases , we derive as much or more pleasure from that source than from the thing itself . But then I imagine we shall ...
Innehåll
INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Upphovsrätt | |
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Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
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action admiration ancient appear association beauty better called cause century character comedy common considered criticism delight discover Dryden effect English Essay example excellence experience expression fancy follow French genius give greater Homer human humor ideas images imagination imitation Italy judge judgment kind knowledge language learning less living manner matter means mind moral nature never objects observed once opinion original painting particular pass passions perfect perhaps persons philosophers play pleased pleasure poem poet poetry practice present principles produce proper qualities reader reason relation represented rules satire scenes seems sense sentiments Shakespeare sometimes sort speak spirit stage sublime taste theory things thought tion tragedy true truth turn understanding University variety verse whole writing