Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 sidor |
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Sida 246
... pleasing motion of the mind , immediately arises at the consideration of any object that takes up a great deal of room in the fancy , and by consequence , will improve into the highest pitch of astonishment and devotion . when we ...
... pleasing motion of the mind , immediately arises at the consideration of any object that takes up a great deal of room in the fancy , and by consequence , will improve into the highest pitch of astonishment and devotion . when we ...
Sida 247
... pleasing and beautiful in the imagination that it is possible the soul will not be deprived of them , but perhaps find them ex- cited by some other occasional cause , as they are at present by the different impressions of the subtle ...
... pleasing and beautiful in the imagination that it is possible the soul will not be deprived of them , but perhaps find them ex- cited by some other occasional cause , as they are at present by the different impressions of the subtle ...
Sida 258
... pleasing kind of horror in the mind of the reader , and amuse his imagination with the strangeness and novelty of the persons who are represented in them . They bring up into our memory the stories we have heard in our childhood , and ...
... pleasing kind of horror in the mind of the reader , and amuse his imagination with the strangeness and novelty of the persons who are represented in them . They bring up into our memory the stories we have heard in our childhood , and ...
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INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Upphovsrätt | |
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Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
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action admiration ancient appear association beauty better called cause century character comedy common considered criticism delight discover Dryden effect English Essay example excellence experience expression fancy follow French genius give greater Homer human humor ideas images imagination imitation Italy judge judgment kind knowledge language learning less living manner matter means mind moral nature never objects observed once opinion original painting particular pass passions perfect perhaps persons philosophers play pleased pleasure poem poet poetry practice present principles produce proper qualities reader reason relation represented rules satire scenes seems sense sentiments Shakespeare sometimes sort speak spirit stage sublime taste theory things thought tion tragedy true truth turn understanding University variety verse whole writing