Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 sidor |
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Sida 143
... relation of one ; pity , by the sight of a mournful object or the relation of one ; ad- miration or wonder ( the common passion , I mean , for there is an enthusiastic admiration , as we shall find anon ) by the sight of a strange ...
... relation of one ; pity , by the sight of a mournful object or the relation of one ; ad- miration or wonder ( the common passion , I mean , for there is an enthusiastic admiration , as we shall find anon ) by the sight of a strange ...
Sida 326
... relation of cause and effect are the principles of association which the passions employ most frequently , and which suggest the longest trains of ideas . These give ideas the most perfect relation to a passion , and almost every idea ...
... relation of cause and effect are the principles of association which the passions employ most frequently , and which suggest the longest trains of ideas . These give ideas the most perfect relation to a passion , and almost every idea ...
Sida 579
... relation to this character , and if we trace them back , we shall discover not only a connection between the individual thoughts of the train , but also a general relation among the whole and a conformity to that peculiar emotion which ...
... relation to this character , and if we trace them back , we shall discover not only a connection between the individual thoughts of the train , but also a general relation among the whole and a conformity to that peculiar emotion which ...
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INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Upphovsrätt | |
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Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
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action admiration ancient appear association beauty better called cause century character comedy common considered criticism delight discover Dryden effect English Essay example excellence experience expression fancy follow French genius give greater Homer human humor ideas images imagination imitation Italy judge judgment kind knowledge language learning less living manner matter means mind moral nature never objects observed once opinion original painting particular pass passions perfect perhaps persons philosophers play pleased pleasure poem poet poetry practice present principles produce proper qualities reader reason relation represented rules satire scenes seems sense sentiments Shakespeare sometimes sort speak spirit stage sublime taste theory things thought tion tragedy true truth turn understanding University variety verse whole writing