Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 sidor |
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... sentiments excited by the same object are all right , because no sentiment represents what is really in the object . It only marks a certain conformity or relation between the object and the organs or faculties of the mind ; and if that ...
... sentiments excited by the same object are all right , because no sentiment represents what is really in the object . It only marks a certain conformity or relation between the object and the organs or faculties of the mind ; and if that ...
Sida 303
... sentiments ; and however I may excuse the poet on account of the manners of his age , I never can relish the composition . The want of humanity and of decency so conspicuous in the characters drawn by several of the ancient poets , even ...
... sentiments ; and however I may excuse the poet on account of the manners of his age , I never can relish the composition . The want of humanity and of decency so conspicuous in the characters drawn by several of the ancient poets , even ...
Sida 304
... sentiments of his heart for a moment , in complaisance to any writer whatsoever . Of all speculative errors , those which regard religion are the most excusable in compositions of genius ; nor is it ever permitted to judge of the ...
... sentiments of his heart for a moment , in complaisance to any writer whatsoever . Of all speculative errors , those which regard religion are the most excusable in compositions of genius ; nor is it ever permitted to judge of the ...
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INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Upphovsrätt | |
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Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
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action admiration ancient appear association beauty better called cause century character comedy common considered criticism delight discover Dryden effect English Essay example excellence experience expression fancy follow French genius give greater Homer human humor ideas images imagination imitation Italy judge judgment kind knowledge language learning less living manner matter means mind moral nature never objects observed once opinion original painting particular pass passions perfect perhaps persons philosophers play pleased pleasure poem poet poetry practice present principles produce proper qualities reader reason relation represented rules satire scenes seems sense sentiments Shakespeare sometimes sort speak spirit stage sublime taste theory things thought tion tragedy true truth turn understanding University variety verse whole writing