Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 sidor |
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Sida 17
... thought to another which is called , to distinguish it from discourse in words , mental discourse . When a man thinketh on anything whatsoever , his next thought after is not altogether so casual as it seems to be . Not every thought to ...
... thought to another which is called , to distinguish it from discourse in words , mental discourse . When a man thinketh on anything whatsoever , his next thought after is not altogether so casual as it seems to be . Not every thought to ...
Sida 169
... thought ; the second is fancy , or the variation , deriving , or molding , of that thought , as the judgment represents it proper to the subject ; the third is elocution , or the art of clothing and adorning that thought , so found and ...
... thought ; the second is fancy , or the variation , deriving , or molding , of that thought , as the judgment represents it proper to the subject ; the third is elocution , or the art of clothing and adorning that thought , so found and ...
Sida 307
... thought . Taking a view of external objects , their inherent properties are not more re- markable than the various relations that connect them together : cause and effect , contiguity in time or in place , high and low , prior and ...
... thought . Taking a view of external objects , their inherent properties are not more re- markable than the various relations that connect them together : cause and effect , contiguity in time or in place , high and low , prior and ...
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INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Upphovsrätt | |
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Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
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action admiration ancient appear association beauty better called cause century character comedy common considered criticism delight discover Dryden effect English Essay example excellence experience expression fancy follow French genius give greater Homer human humor ideas images imagination imitation Italy judge judgment kind knowledge language learning less living manner matter means mind moral nature never objects observed once opinion original painting particular pass passions perfect perhaps persons philosophers play pleased pleasure poem poet poetry practice present principles produce proper qualities reader reason relation represented rules satire scenes seems sense sentiments Shakespeare sometimes sort speak spirit stage sublime taste theory things thought tion tragedy true truth turn understanding University variety verse whole writing