Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 sidor |
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... whole creation , the whole creation itself to the infinite space that is everywhere diffused about it ; or when the imagination works downward , and considers the bulk of a human body in respect of an animal a hundred times less than a ...
... whole creation , the whole creation itself to the infinite space that is everywhere diffused about it ; or when the imagination works downward , and considers the bulk of a human body in respect of an animal a hundred times less than a ...
Sida 554
... whole - the whole is implicit in every part - but the character eludes our reason , which can deal only in " abstractions and general propositions . " Falstaff , for example , is not a type such as the miles gloriosus , which reason ...
... whole - the whole is implicit in every part - but the character eludes our reason , which can deal only in " abstractions and general propositions . " Falstaff , for example , is not a type such as the miles gloriosus , which reason ...
Sida 568
... whole ; every part being in fact relative and inferring all the rest . It is true that the point of action or sentiment , which we are most concerned in , is always held out for our special notice . But who does not perceive that there ...
... whole ; every part being in fact relative and inferring all the rest . It is true that the point of action or sentiment , which we are most concerned in , is always held out for our special notice . But who does not perceive that there ...
Innehåll
INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Upphovsrätt | |
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Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
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action admiration ancient appear association beauty better called cause century character comedy common considered criticism delight discover Dryden effect English Essay example excellence experience expression fancy follow French genius give greater Homer human humor ideas images imagination imitation Italy judge judgment kind knowledge language learning less living manner matter means mind moral nature never objects observed once opinion original painting particular pass passions perfect perhaps persons philosophers play pleased pleasure poem poet poetry practice present principles produce proper qualities reader reason relation represented rules satire scenes seems sense sentiments Shakespeare sometimes sort speak spirit stage sublime taste theory things thought tion tragedy true truth turn understanding University variety verse whole writing