Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 sidor |
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Sida 64
... writing and their wit ( of which by this time you will grant us in some measure to be fit judges ) . Though I see many excellent thoughts in Seneca , yet he of them who had a genius most proper for the stage was Ovid ; he had a way of ...
... writing and their wit ( of which by this time you will grant us in some measure to be fit judges ) . Though I see many excellent thoughts in Seneca , yet he of them who had a genius most proper for the stage was Ovid ; he had a way of ...
Sida 187
... writing . Mixed wit therefore is a composition of pun and true wit , and is more or less perfect as the resemblance lies in the ideas or in the words . Its foundations are laid partly in falsehood and partly in truth . Reason puts in ...
... writing . Mixed wit therefore is a composition of pun and true wit , and is more or less perfect as the resemblance lies in the ideas or in the words . Its foundations are laid partly in falsehood and partly in truth . Reason puts in ...
Sida 223
... writer in any considerable kind . The skill and grace of writing is founded , as our wise poet tells us , in knowledge and good sense , and not barely in that knowledge which is to be learnt from common authors or the general ...
... writer in any considerable kind . The skill and grace of writing is founded , as our wise poet tells us , in knowledge and good sense , and not barely in that knowledge which is to be learnt from common authors or the general ...
Innehåll
INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Upphovsrätt | |
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Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
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action admiration ancient appear association beauty better called cause century character comedy common considered criticism delight discover Dryden effect English Essay example excellence experience expression fancy follow French genius give greater Homer human humor ideas images imagination imitation Italy judge judgment kind knowledge language learning less living manner matter means mind moral nature never objects observed once opinion original painting particular pass passions perfect perhaps persons philosophers play pleased pleasure poem poet poetry practice present principles produce proper qualities reader reason relation represented rules satire scenes seems sense sentiments Shakespeare sometimes sort speak spirit stage sublime taste theory things thought tion tragedy true truth turn understanding University variety verse whole writing