An Eye for HitchcockRutgers University Press, 2004 - 306 sidor Film scholar Murray Pomerance presents a series of fascinating meditations on six films directed by the legendary Alfred Hitchcock, a master of the cinema. Two of the films are extraordinarily famous and have been seen--and misunderstood--countless times: North by Northwest and Vertigo. Two others, Marnie and Torn Curtain, have been mostly disregarded by viewers and critics, or considered to be colossal mistakes, while two others, Spellbound and I Confess, have received almost no critical attention at all. In An Eye for Hitchcock, these movies are seen in a striking new way. Murray Pomerance takes us deep into the structure of Hitchcock's vision and his screen architecture, revealing key elements that have never been written about before. Pomerance shows how Hitchcock was profoundly interested not only in social class, but also in humanity's philosophical predicament, as we traverse a world fraught with shifting appearances, multiple deceptions, vulnerability, and peril. Pomerance also clearly reveals the link between Hitchcock's work and a wide range of thinkers and artists in other fields. On every page, there are illuminating critical insights and intriguing pieces of factual information. After reading this groundbreaking book, viewers of Hitchcock's films will have the rare opportunity to view them in an entirely new light. |
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... you to leave this room Once in Love with Marnie 92 130 I Confess and the Men Inside 170 Gabriel's Horn : Vertigo and the Golden Passage 214 Notes Index 261 295 Acknowledgments I am grateful to the Society for Cinema and.
... you to leave this room Once in Love with Marnie 92 130 I Confess and the Men Inside 170 Gabriel's Horn : Vertigo and the Golden Passage 214 Notes Index 261 295 Acknowledgments I am grateful to the Society for Cinema and.
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Innehåll
His Masters Voice | 3 |
Action North by Sincerity Northwest 14 880 | 14 |
Spellbound Psychoanalysis Light | 58 |
I forbid you to leave this room | 92 |
Once in Love with Marnie | 130 |
Confess and the Men Inside | 170 |
Vertigo and the Golden Passage | 214 |
Notes | 261 |
Vanliga ord och fraser
action actor Alfred Hitchcock audience Bernice Brulov Cahiers du cinéma camera Carlotta central character Church Cinema confession Constance dark diegetic dream Edwardes Elster experience eyes face fact Father filmic filmmaker Flavières frame François Truffaut Freud Gavin gaze George Kaplan Gromek hear Hitch Hitchcock's films Horn & Hardart innocent Jay Presson Allen Judy Keller Larrue later light Lindt Logan look Madeleine Madeleine's Mark's Marnie Marnie's Michael Armstrong Midge Midge's Milet moral move murder narrative North by Northwest painting Peter Bogdanovich play plot police position present priest psychoanalytic Québec reading Roger Thornhill Sarah scene Scottie Scottie's screen script secret Selznick sequence sexual shot Sidney Gottlieb social Spellbound Spoto story street structure suggests surface tale theme Thornhill tion Torn Curtain Toronto Truffaut University Press Vandamm vertical Vertigo viewer Villette watching woman yellow York zoom