At laft my royall king did dye, And then my dayes of woe grew nighe; When crook-back Richard got the crowne, I then was punifht for my fin, Yea, every one that was his friend, Then for my lewd and wanton life, 75 80 Where many thousands did me viewe,], 85 Who late in court my credit knewe; Which made the teares run down my face, In hope therebye to cafe my want, When riches fail'd, and love grew feant. But she denyed to me the fame Out of her doores fhee did me shove, 95 100 So So love did vanifh with my state, But yet one friend among the rest, For which, by lawe, it was decreed Then thofe to whom I had done good, Whereby I begged all the day, My gowns befet with pearl and gold, Thus was I fcorn'd of maid and wife, Both fucking babes, and children small, I could not get one bit of bread, 125 Whereby my hunger might be fed, Nor drink, but fuch as channels yield, Thus, You hufbands, match not but for love, Then maids and wives in time amend, 145 * But it had this name long before; being fo called from its being a common SEWER (vulgarly SHORE) or drain. See Stow. THE END OF THE SECOND BOOK. ANCIENT SONGS AND BALLADS, c. SERIES THE SECOND. BOOK III. I. THE COMPLAINT OF CONSCIENCE. The following old allegoric Satire is printed from the editor's folio MS. This manner of moralizing, if not first adopted by the author of PIERCE PLOWMAN'S VISIONS, was at least chiefly brought into repute by that ancient satirift. It is not fo generally known that the kind of verse used in this ballad bath any affinity with the peculiar metre of that that writer, for which reason I shall throw together Some curfory remarks on that very fingular Species of verfification, the nature of which has been fo little understood. ON THE METRE OF PIERCE PLOWMAN'S VISIONS. We learn from Wormius*, that the ancient Iflandic poets used a great variety of measures: he mention 136 different kinds, without including RHYME, or a correspondence of final fyllables: yet this was occafionally used, as appears from the Ode of Egil, which Wormius hath inferted in his book. He bath analysed the structure of one of these kinds of verse, the harmony of which neither depended on the quantity of the fyllables, like that of the ancient Greeks and romans; nor on the rhymes at the end, as in modern poetry: but confifted altogether in alliteration, or a certain artful repetition of the Sounds in the middle of the verses. This was adjusted according to certain rules of their profody, one of which was that every distich should contain at least three words beginning with the fame letter or found. Two of theSe correfpondent founds might be placed either in the first, or fecond line of the distich, and one in the other: but all three were not regularly to be crowded into one line. This will be best understood by the following examples ** "Meire The * Literatura Runica. Hafnia 1636. 4to. 1651. fol. |