Byron and RomanticismCambridge University Press, 15 aug. 2002 - 311 sidor This 2002 collection of essays represents twenty-five years of work by one of the most important critics of Romanticism and Byron studies, Jerome McGann. The collection demonstrates McGann's evolution as a scholar, editor, critic, theorist, and historian. His 'General Analytic and Historical Introduction' to the collection presents a meditation on the history of his own research on Byron, in particular how scholarly editing interacted with the theoretical innovations in literary criticism over the last quarter of the twentieth century. McGann's receptiveness to dialogic forms of criticism is also illustrated in this collection, which contains an interview and concludes with a dialogue between McGann and the editor. Many of these essays have previously been available only in specialist scholarly journals. Now McGann's influential work on Byron can be appreciated more widely by new generations of students and scholars. |
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Sida
... called those " great national events " that were " almost daily taking place " : the French Revolution , the Napoleonic and American wars , urbanisa- tion , industrialisation , religious revival , an expanded empire abroad , and the ...
... called those " great national events " that were " almost daily taking place " : the French Revolution , the Napoleonic and American wars , urbanisa- tion , industrialisation , religious revival , an expanded empire abroad , and the ...
Sida 5
... called " The Higher Criticism " - were implicitly shaped " in the last instance , " as the Marxists would say , by these forms of so - called " Lower Criticism " ( the processes of language and document transmission ; or , the materials ...
... called " The Higher Criticism " - were implicitly shaped " in the last instance , " as the Marxists would say , by these forms of so - called " Lower Criticism " ( the processes of language and document transmission ; or , the materials ...
Sida 8
... called these things . - So the ironist Byron is good , the " sincere " Wordsworth is bad . Please . I confess I am tired of answering that kind of remark . It's just a way to maintain some kind of moral ground as the measure of art ...
... called these things . - So the ironist Byron is good , the " sincere " Wordsworth is bad . Please . I confess I am tired of answering that kind of remark . It's just a way to maintain some kind of moral ground as the measure of art ...
Sida 10
... called the " formal cause " of anything ) . In this sense Logic , Theology - whatever : all forms of thought may have their formal causes distinguished . ( Who is making this argument , who is writing these sentences ? ) But Aesthetic ...
... called the " formal cause " of anything ) . In this sense Logic , Theology - whatever : all forms of thought may have their formal causes distinguished . ( Who is making this argument , who is writing these sentences ? ) But Aesthetic ...
Sida 13
... called " The Greater Romantic Lyric . " 8 It is not a form that Byron culti- vated , and on the one occasion when he undertook it , in Canto III of Childe Harold , he did so only to heat it to meltdown . His practice fore- cast what ...
... called " The Greater Romantic Lyric . " 8 It is not a form that Byron culti- vated , and on the one occasion when he undertook it , in Canto III of Childe Harold , he did so only to heat it to meltdown . His practice fore- cast what ...
Innehåll
Part I | 19 |
Byron mobility and the poetics of historical ventriloquism | 36 |
My brain is feminine Byron and the poetry of deception | 53 |
What difference do the circumstances of publication make to the interpretation of a literary work? | 77 |
Byron and the anonymous lyric | 93 |
Private poetry public deception | 113 |
Hero with a thousand faces the rhetoric of Byronism | 141 |
Byron and the lyric of sensibility | 160 |
History herstory theirstory ourstory | 223 |
Literature meaning and the discontinuity of fact | 231 |
Rethinking Romanticism | 236 |
An interview with Jerome McGann | 256 |
Poetry 17801832 | 266 |
Byron and Romanticism a dialogue Jerome McGann and the editor James Soderholm | 288 |
306 | |
309 | |
Vanliga ord och fraser
aesthetic appears Baudelaire Blake Blake's Byron's poem Byronic hero called Canto character Charlotte Dacre Childe Harold Childe Harold's Pilgrimage Coleridge complete consciousness context contradiction critique Cruscan cultural Dante Della Cruscan dialectic Don Juan dramatic edition English Epistle to Augusta equivocal essays event example expose fact famous Fare Thee feeling figure forms Giaour human idea imagination important involved Jerome McGann Keats kind Lady Byron language lines Lord Byron Lyrical Ballads Manfred Manfred's mask masquerade McGann meaning Milton mind moral Oxford paradox passage play play's poem's poet poetical poetry problem readers reading referentiality reflection relation rhetoric Robert Southey Romanticism Sardanapalus Satan satire scene seems self-consciousness sense sentimental Shelley sincerity social Southey stanza structure studies style Tennyson textual theory things thou thought tradition truth turn University Press verse voice word Wordsworth Wordsworthian writing
Populära avsnitt
Sida 13 - There is the moral of all human tales; 'Tis but the same rehearsal of the past, First Freedom, and then Glory — when that fails, Wealth, vice, corruption, — barbarism at last. And History, with all her volumes vast, Hath but one page...
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