Byron and RomanticismCambridge University Press, 15 aug. 2002 - 311 sidor This 2002 collection of essays represents twenty-five years of work by one of the most important critics of Romanticism and Byron studies, Jerome McGann. The collection demonstrates McGann's evolution as a scholar, editor, critic, theorist, and historian. His 'General Analytic and Historical Introduction' to the collection presents a meditation on the history of his own research on Byron, in particular how scholarly editing interacted with the theoretical innovations in literary criticism over the last quarter of the twentieth century. McGann's receptiveness to dialogic forms of criticism is also illustrated in this collection, which contains an interview and concludes with a dialogue between McGann and the editor. Many of these essays have previously been available only in specialist scholarly journals. Now McGann's influential work on Byron can be appreciated more widely by new generations of students and scholars. |
Från bokens innehåll
Resultat 1-5 av 70
Sida 1
... seems slightly quaint now - a sort of kangaroo among the beauties of current scholarship . " Return with me now to those thrilling days of yesteryear ! " That was how the narrator introduced The Lone Ranger radio program , a pas- sion ...
... seems slightly quaint now - a sort of kangaroo among the beauties of current scholarship . " Return with me now to those thrilling days of yesteryear ! " That was how the narrator introduced The Lone Ranger radio program , a pas- sion ...
Sida 3
... seem to think that art's multiple meanings are a function of something they possess on their own , inherently or essentially as it were . But the truth is that meanings multiply like lives , through intercourse . The exchanges I seek ...
... seem to think that art's multiple meanings are a function of something they possess on their own , inherently or essentially as it were . But the truth is that meanings multiply like lives , through intercourse . The exchanges I seek ...
Sida 4
... seems is limited and restricted in focus . The objective reader , myself , easily sees in the essays the permanent influence of New Critical " close reading " methods . We shall have to reconsider the current relevance of such methods ...
... seems is limited and restricted in focus . The objective reader , myself , easily sees in the essays the permanent influence of New Critical " close reading " methods . We shall have to reconsider the current relevance of such methods ...
Sida 7
... seem unsatisfactory to me when I wrote it in 1972 , it only seems so now . So now it also seems an effective , even a satisfactory way to begin a story of failure . It's also satisfying to admit that my first impulse was to exclude it ...
... seem unsatisfactory to me when I wrote it in 1972 , it only seems so now . So now it also seems an effective , even a satisfactory way to begin a story of failure . It's also satisfying to admit that my first impulse was to exclude it ...
Sida 12
... seems as if I had thine inmate known , Thou Tomb ! And other days come back to me With recollected music , though the tone Is changed and solemn , like the cloudy groan Of dying thunder on the distant wind ; Yet could I seat me by this ...
... seems as if I had thine inmate known , Thou Tomb ! And other days come back to me With recollected music , though the tone Is changed and solemn , like the cloudy groan Of dying thunder on the distant wind ; Yet could I seat me by this ...
Innehåll
Part I | 19 |
Byron mobility and the poetics of historical ventriloquism | 36 |
My brain is feminine Byron and the poetry of deception | 53 |
What difference do the circumstances of publication make to the interpretation of a literary work? | 77 |
Byron and the anonymous lyric | 93 |
Private poetry public deception | 113 |
Hero with a thousand faces the rhetoric of Byronism | 141 |
Byron and the lyric of sensibility | 160 |
History herstory theirstory ourstory | 223 |
Literature meaning and the discontinuity of fact | 231 |
Rethinking Romanticism | 236 |
An interview with Jerome McGann | 256 |
Poetry 17801832 | 266 |
Byron and Romanticism a dialogue Jerome McGann and the editor James Soderholm | 288 |
306 | |
309 | |
Vanliga ord och fraser
aesthetic appears Baudelaire Blake Blake's Byron's poem Byronic hero called Canto character Charlotte Dacre Childe Harold Childe Harold's Pilgrimage Coleridge complete consciousness context contradiction critique Cruscan cultural Dante Della Cruscan dialectic Don Juan dramatic edition English Epistle to Augusta equivocal essays event example expose fact famous Fare Thee feeling figure forms Giaour human idea imagination important involved Jerome McGann Keats kind Lady Byron language lines Lord Byron Lyrical Ballads Manfred Manfred's mask masquerade McGann meaning Milton mind moral Oxford paradox passage play play's poem's poet poetical poetry problem readers reading referentiality reflection relation rhetoric Robert Southey Romanticism Sardanapalus Satan satire scene seems self-consciousness sense sentimental Shelley sincerity social Southey stanza structure studies style Tennyson textual theory things thou thought tradition truth turn University Press verse voice word Wordsworth Wordsworthian writing
Populära avsnitt
Sida 13 - There is the moral of all human tales; 'Tis but the same rehearsal of the past, First Freedom, and then Glory — when that fails, Wealth, vice, corruption, — barbarism at last. And History, with all her volumes vast, Hath but one page...
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