Byron and RomanticismCambridge University Press, 15 aug. 2002 - 311 sidor This 2002 collection of essays represents twenty-five years of work by one of the most important critics of Romanticism and Byron studies, Jerome McGann. The collection demonstrates McGann's evolution as a scholar, editor, critic, theorist, and historian. His 'General Analytic and Historical Introduction' to the collection presents a meditation on the history of his own research on Byron, in particular how scholarly editing interacted with the theoretical innovations in literary criticism over the last quarter of the twentieth century. McGann's receptiveness to dialogic forms of criticism is also illustrated in this collection, which contains an interview and concludes with a dialogue between McGann and the editor. Many of these essays have previously been available only in specialist scholarly journals. Now McGann's influential work on Byron can be appreciated more widely by new generations of students and scholars. |
Från bokens innehåll
Resultat 1-5 av 40
Sida 2
... textual theory , literary - critical method , and a certain history of scholarship and education . It is this difference that interests me and makes me believe these essays have something new to say . - But they're the same essays . Or ...
... textual theory , literary - critical method , and a certain history of scholarship and education . It is this difference that interests me and makes me believe these essays have something new to say . - But they're the same essays . Or ...
Sida 4
... textual and editorial studies . This remarkable situation is the effect of an historical phenomenon affecting every level of society , not least of all education and the humanities : the breakthrough of Internet and digital technology ...
... textual and editorial studies . This remarkable situation is the effect of an historical phenomenon affecting every level of society , not least of all education and the humanities : the breakthrough of Internet and digital technology ...
Sida 5
... textual and editorial work that reached its fruition only in the hypermedia theory and electronic scholarship that has dominated my work since I went to Caltech in 1981 . At that point several things began to become clear . First , that ...
... textual and editorial work that reached its fruition only in the hypermedia theory and electronic scholarship that has dominated my work since I went to Caltech in 1981 . At that point several things began to become clear . First , that ...
Sida 13
... textual space . So here " meaning " slips free of every conclusion , including the idea of conclusiveness , and fuses with its eventuality . Lyric self - expression marks a Romantic ethos , and this verse fairly epitomizes its style ...
... textual space . So here " meaning " slips free of every conclusion , including the idea of conclusiveness , and fuses with its eventuality . Lyric self - expression marks a Romantic ethos , and this verse fairly epitomizes its style ...
Sida 14
... textual scholars ( in the most traditional sense of the term ) play over these writings of mine , as do the " close reading " proce- dures of my earliest critical models . This book gives two cheers for their old democracies . Given the ...
... textual scholars ( in the most traditional sense of the term ) play over these writings of mine , as do the " close reading " proce- dures of my earliest critical models . This book gives two cheers for their old democracies . Given the ...
Innehåll
Part I | 19 |
Byron mobility and the poetics of historical ventriloquism | 36 |
My brain is feminine Byron and the poetry of deception | 53 |
What difference do the circumstances of publication make to the interpretation of a literary work? | 77 |
Byron and the anonymous lyric | 93 |
Private poetry public deception | 113 |
Hero with a thousand faces the rhetoric of Byronism | 141 |
Byron and the lyric of sensibility | 160 |
History herstory theirstory ourstory | 223 |
Literature meaning and the discontinuity of fact | 231 |
Rethinking Romanticism | 236 |
An interview with Jerome McGann | 256 |
Poetry 17801832 | 266 |
Byron and Romanticism a dialogue Jerome McGann and the editor James Soderholm | 288 |
306 | |
309 | |
Vanliga ord och fraser
aesthetic appears Baudelaire Blake Blake's Byron's poem Byronic hero called Canto character Charlotte Dacre Childe Harold Childe Harold's Pilgrimage Coleridge complete consciousness context contradiction critique Cruscan cultural Dante Della Cruscan dialectic Don Juan dramatic edition English Epistle to Augusta equivocal essays event example expose fact famous Fare Thee feeling figure forms Giaour human idea imagination important involved Jerome McGann Keats kind Lady Byron language lines Lord Byron Lyrical Ballads Manfred Manfred's mask masquerade McGann meaning Milton mind moral Oxford paradox passage play play's poem's poet poetical poetry problem readers reading referentiality reflection relation rhetoric Robert Southey Romanticism Sardanapalus Satan satire scene seems self-consciousness sense sentimental Shelley sincerity social Southey stanza structure studies style Tennyson textual theory things thou thought tradition truth turn University Press verse voice word Wordsworth Wordsworthian writing
Populära avsnitt
Sida 13 - There is the moral of all human tales; 'Tis but the same rehearsal of the past, First Freedom, and then Glory — when that fails, Wealth, vice, corruption, — barbarism at last. And History, with all her volumes vast, Hath but one page...
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