The Classical Monologue (M): MenMichael Earley, Philippa Keil Routledge, 23 maj 2016 - 160 sidor The Classical Monologue in two volumes, one for men and one for women, is a fresh selection of the best speeches from the repertoire of the classical theatre, from the Greeks to the beginning of the 20th century. These great dramatic monologues--from all periods and styles, all varied in tone and genre--make an indispensable actor's companion for auditioning, rehearsing and performing. Each monologue is accompanied by textual notes explaining any unusual vocabulary or syntax, and by commentary in which the editors offer interpretative points and practical advice in preparing the speech for performance. Both beginners and experienced actors will find The Classical Monologue a treasury of theatrical riches waiting to be released on stage. |
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... what is good about the writing from the point of view of acting . You the actor must make your own decisions about how , ultimately , to perform any of these classical monologues . There is not one right way to act these speeches . No ...
... what is good about the writing from the point of view of acting . You the actor must make your own decisions about how , ultimately , to perform any of these classical monologues . There is not one right way to act these speeches . No ...
Sida
... what you say now . The passion that all these speeches have in abundance requires your full engagement with the text . Acting in isolation from the total text is stilted acting , blind acting without insight . Michael Earley Philippa ...
... what you say now . The passion that all these speeches have in abundance requires your full engagement with the text . Acting in isolation from the total text is stilted acting , blind acting without insight . Michael Earley Philippa ...
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... what is done and what is to follow ; a victory most hollow . [ lines 972-1017 ] COMMENTARY : The trilogy of tragedies that comprises Aeschy- lus ' Oresteia ( Agamemnon , Libation Bearers , Eumenides ) drama- tises the story of the ...
... what is done and what is to follow ; a victory most hollow . [ lines 972-1017 ] COMMENTARY : The trilogy of tragedies that comprises Aeschy- lus ' Oresteia ( Agamemnon , Libation Bearers , Eumenides ) drama- tises the story of the ...
Sida 6
... what am I ? Throughout the play the actor is given pieces that fill in the overall puzzle of personality and self ... what really happened . Right away you can see what the man is like : impulsive , proud , subject 6.
... what am I ? Throughout the play the actor is given pieces that fill in the overall puzzle of personality and self ... what really happened . Right away you can see what the man is like : impulsive , proud , subject 6.
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Innehåll
1 | |
Elizabethan and Jacobean | 12 |
French and Spanish | 66 |
Restoration and EighteenthCentury English | 77 |
English and Irish Nineteenth and Twentieth Century | 101 |
German Scandinavian and Russian | 121 |
Play Sources | 144 |
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