Leigh Hunt and the Poetry of FancyFairleigh Dickinson University Press, 1994 - 276 sidor Leigh Hunt has long been stigmatized as Keats's evil genius, a superficial and mannered poet whose influence can be observed in such early poems as I Stood Tip-Toe and Sleep and Poetry. His portrayal as Harold Skimpole in Bleak House has also fostered an impression of triviality and selfishness in the minds of those who do not trouble to read him. Leigh Hunt and the Poetry of Fancy, so far the only book devoted exclusively to his verse, takes issue with these received opinions and argues that, overshadowed by the work of his more gifted contemporaries, Hunt's output has suffered repeatedly from invidious comparisons. Author Rodney Stenning Edgecombe suggests that we need to bring his admittedly minor poetry out of the shadows and, approaching it on its own sunny terms, find a way of enjoying its slightness and delicate charm. With this in mind, Edgecombe urges that we approach the poet as a rococo artist, using this aesthetic category to legitimize and focus the decorative impulse that informs his vision, and the escapism that sometimes led him, as a poet, to skirt many of the issues he so bravely fought for through his Radical journalism. Like Wordsworth, Hunt divided his output into loose generic categories when he began preparing a select edition of his poetry toward the end of his life, categories retained and amplified by H.S. Milford in his 1923 edition. Edgecombe has used these divisions as a way of organizing his study, and also of illustrating the immense range of forms and genres that the poet explored in the course of a long career. He furthermore offers close readings of many seminal poems in an effort to show that Hunt, dismissed by Carlyle as a sort of poetic "tinker," was a generally creditable craftsperson, and that when the occasion inspired him, he could write very well indeed. |
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... pleasure , and because beauty is nothing but the loveliest form of pleasure . It is a passion for power , because power is impression triumphant , whether over the poet , as desired by himself , or over the reader , as affected by the ...
... pleasure , and because beauty is nothing but the loveliest form of pleasure . It is a passion for power , because power is impression triumphant , whether over the poet , as desired by himself , or over the reader , as affected by the ...
Sida 82
... Pleasure Palace ' [ actually The Palace of Pleasure ] ) . The description in Hunt's hands in The Story of Rimini is not well handled ; he apparently succumbed to the temptation of vulgarity inherent in the erotic imagery . " 95 I think ...
... Pleasure Palace ' [ actually The Palace of Pleasure ] ) . The description in Hunt's hands in The Story of Rimini is not well handled ; he apparently succumbed to the temptation of vulgarity inherent in the erotic imagery . " 95 I think ...
Sida 185
... pleasure craft . The realistic context of the voyage has been cut away , leaving Byron as a sort of solitary figurehead , while the " airy slope " of the deck he graces suggests that the vessel is of a piece with the fanciful boat ...
... pleasure craft . The realistic context of the voyage has been cut away , leaving Byron as a sort of solitary figurehead , while the " airy slope " of the deck he graces suggests that the vessel is of a piece with the fanciful boat ...
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attack beauty becomes begins called canto charm claims clear close comes comparable critical decorative edited effect English English Studies essay example eyes face fact fancy feel forced give grace green hand heart human Hunt's Ibid idea idyll imagination implies issue Italy John Keats kind later least leaves Leigh Hunt less letter light London look lyric material means measure Milford mind mode moral narrative nature never observed offers once opening Oxford University Press painting passage perhaps pleasure poem poet poetic poetry political present recalls rejected rhyme Rimini Robin Hood rococo romantic round satire seems sense Shelley sonnet sort sound spirit spring Story structure suggests sweet takes things thought trees true turn verse vision Wordsworth writing written
Hänvisningar till den här boken
Leigh Hunt and the London Literary Scene: A Reception History of his Major ... Michael Eberle-Sinatra Ingen förhandsgranskning - 2005 |
Dante on View: The Reception of Dante in the Visual and Performing Arts Antonella Braida,Luisa Calè Begränsad förhandsgranskning - 2007 |