Shakespeare's Roman WorldsShows how a clear understanding of Shakespeare's explorations of Roman values offers invaluable critical insights into the Roman plays. |
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IMAGES AND SELFIMAGES IN JULIUS CAESAR | 40 |
REALITIES AND IMAGININGS IN ANTONY AND | 93 |
SOUNDS WORDS GESTURES AND DEEDS IN | 154 |
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action Antony and Cleopatra Antony's appear attempt audience Aufidius awareness battle become body Brutus called Cassius cause character clearly closely common contrast conveys Coriolanus creates critical death describes desire dramatist Egypt enemies expression eyes fear feeling final followed force friends gives hand hath hear heart honour human Ibid immediately Italy Julius Caesar kill King leaves lines living Martius means Menenius mind mother move narrative nature never noble Octavius once opening patricians physical plebeians Plutarch political Pompey present provides qualities question reference response reveals Roman plays Rome scene seems selfe Senate sense Shake Shakespeare significant social society soldiers speak speech suggests sword tell thing thou thought Titus tragedy tribunes unto values Volsces warre Whereas whole
Hänvisningar till den här boken
City/stage/globe: Performance and Space in Shakespeare's London D. J. Hopkins Fragmentarisk förhandsgranskning - 2008 |
Charismatic Authority in Early Modern English Tragedy Raphael Falco Fragmentarisk förhandsgranskning - 2000 |