Shakespeare's Roman WorldsRoutledge, 1989 - 243 sidor Shows how a clear understanding of Shakespeare's explorations of Roman values offers invaluable critical insights into the Roman plays. |
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Sida 95
... ( called the Philippians ) against him . . . When these poore dismembred members were brought to Rome , Antonius . . . commaunded his head and his hands should straight be set up over the pulpit for Orations , in the place called Rostra ...
... ( called the Philippians ) against him . . . When these poore dismembred members were brought to Rome , Antonius . . . commaunded his head and his hands should straight be set up over the pulpit for Orations , in the place called Rostra ...
Sida 119
... called Iras , dead at her feete : and her other woman called Charmion halfe dead , and trembling , trimming the Diad- eme which Cleopatra ware upon her head . One of the souldiers seeing her , angrily sayd unto her : Is that well done ...
... called Iras , dead at her feete : and her other woman called Charmion halfe dead , and trembling , trimming the Diad- eme which Cleopatra ware upon her head . One of the souldiers seeing her , angrily sayd unto her : Is that well done ...
Sida 177
... called ' traitor ' . Similarly , as valour is the supreme value in this culture he gasps in disbelief as he is called ' boy of tears ' by Aufidius . When , therefore , critics claim that the play is essentially about the personal ...
... called ' traitor ' . Similarly , as valour is the supreme value in this culture he gasps in disbelief as he is called ' boy of tears ' by Aufidius . When , therefore , critics claim that the play is essentially about the personal ...
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IMAGES AND SELFIMAGES IN JULIUS CAESAR | 40 |
REALITIES AND IMAGININGS IN ANTONY AND | 93 |
SOUNDS WORDS GESTURES AND DEEDS IN | 154 |
Upphovsrätt | |
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action Antony and Cleopatra Antony's appear assassination audience Aufidius awareness battle bicause body Brutus and Cassius Bullough Casca Cassius character Cicero cittie Cominius common conflict conspirators contempt contrast conveys Coriolanus Corioles creates critical death deeds doth Dramatic Sources dramatist Egypt Egyptian embodiment enemies Enobarbus expression Feast of Lupercal feeling friends gives hand hath heart hero honour Ibid imagery Julius Caesar kill King King Lear Lavinia Leggatt Lepidus living Mark Antony Martius Menenius mother murder Narrative and Dramatic nature never noble Octavius Caesar patricians plebeians Plutarch Plutarch's account political Pompey Pompey's powerfully response reveals revenge Roman history Roman plays Roman values Roman world Rome sayd selfe Senate sense Shake Shakespeare Shakespeare's Roman shewed Sicinius significant social universe society soldiers speak speech sword thee thou Titus Andronicus tongue tragedy tribunes triumph unto vision Volsces Volumnia warre warrior words wounds
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