Shakespeare's Roman WorldsRoutledge, 1989 - 243 sidor Shows how a clear understanding of Shakespeare's explorations of Roman values offers invaluable critical insights into the Roman plays. |
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... followed by Tamora's per- spective of the wood as a demi - paradise : My lovely Aaron , wherefore look'st thou sad When everything doth make a gleeful boast ? The birds chant melody on every bush , The snake lies rolled in the cheerful ...
... followed by Tamora's per- spective of the wood as a demi - paradise : My lovely Aaron , wherefore look'st thou sad When everything doth make a gleeful boast ? The birds chant melody on every bush , The snake lies rolled in the cheerful ...
Sida 59
... followed . . . For , I had rather have suche men my frendes , as this man here , then enemies . Then he embraced Lucilius , and at that time delivered . him to one of his frendes in custodie , and Lucilius ever after served him ...
... followed . . . For , I had rather have suche men my frendes , as this man here , then enemies . Then he embraced Lucilius , and at that time delivered . him to one of his frendes in custodie , and Lucilius ever after served him ...
Sida 115
... followed closely , though wonderful little touches are added such as Enobarbus ' insistent plea that Antony desist : What mean you , sir , To give them this discomfort ? Look , they weep , And I , an ass , am onion - ey'd ; for shame ...
... followed closely , though wonderful little touches are added such as Enobarbus ' insistent plea that Antony desist : What mean you , sir , To give them this discomfort ? Look , they weep , And I , an ass , am onion - ey'd ; for shame ...
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IMAGES AND SELFIMAGES IN JULIUS CAESAR | 40 |
REALITIES AND IMAGININGS IN ANTONY AND | 93 |
SOUNDS WORDS GESTURES AND DEEDS IN | 154 |
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action Antony and Cleopatra Antony's appear assassination audience Aufidius awareness battle bicause body Brutus and Cassius Bullough Casca Cassius character Cicero cittie Cominius common conflict conspirators contempt contrast conveys Coriolanus Corioles creates critical death deeds doth Dramatic Sources dramatist Egypt Egyptian embodiment enemies Enobarbus expression Feast of Lupercal feeling friends gives hand hath heart hero honour Ibid imagery Julius Caesar kill King King Lear Lavinia Leggatt Lepidus living Mark Antony Martius Menenius mother murder Narrative and Dramatic nature never noble Octavius Caesar patricians plebeians Plutarch Plutarch's account political Pompey Pompey's powerfully response reveals revenge Roman history Roman plays Roman values Roman world Rome sayd selfe Senate sense Shake Shakespeare Shakespeare's Roman shewed Sicinius significant social universe society soldiers speak speech sword thee thou Titus Andronicus tongue tragedy tribunes triumph unto vision Volsces Volumnia warre warrior words wounds
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City/stage/globe: Performance and Space in Shakespeare's London D. J. Hopkins Fragmentarisk förhandsgranskning - 2008 |
Charismatic Authority in Early Modern English Tragedy Raphael Falco Fragmentarisk förhandsgranskning - 2000 |