Shakespeare's Roman WorldsRoutledge, 1989 - 243 sidor Shows how a clear understanding of Shakespeare's explorations of Roman values offers invaluable critical insights into the Roman plays. |
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... hear his deeds recounted before the Senators demonstrates : Your honours ' pardon : I had rather have my wounds to heal again Than hear say how I got them . ( II.ii.68-70 ) Indeed , he plays down his actions , insisting that he cannot ...
... hear his deeds recounted before the Senators demonstrates : Your honours ' pardon : I had rather have my wounds to heal again Than hear say how I got them . ( II.ii.68-70 ) Indeed , he plays down his actions , insisting that he cannot ...
Sida 216
... hear his praises spoken . The waves of noise and eddies of silence form a vital part of the landscape of the play . Perhaps the inspiration for this perception came from Plutarch's description of Martius in battle : For he was even such ...
... hear his praises spoken . The waves of noise and eddies of silence form a vital part of the landscape of the play . Perhaps the inspiration for this perception came from Plutarch's description of Martius in battle : For he was even such ...
Sida 217
... hear him ' , before going on to add : I tell you , he does sit in gold , his eye Red as ' twould burn Rome ; and his injury The gaoler to his pity . I kneel'd before him : ' Twas very faintly he said ' Rise ' , dismiss'd me Thus , with ...
... hear him ' , before going on to add : I tell you , he does sit in gold , his eye Red as ' twould burn Rome ; and his injury The gaoler to his pity . I kneel'd before him : ' Twas very faintly he said ' Rise ' , dismiss'd me Thus , with ...
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IMAGES AND SELFIMAGES IN JULIUS CAESAR | 40 |
REALITIES AND IMAGININGS IN ANTONY AND | 93 |
SOUNDS WORDS GESTURES AND DEEDS IN | 154 |
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action Antony and Cleopatra Antony's appear assassination audience Aufidius awareness battle bicause body Brutus and Cassius Bullough Casca Cassius character Cicero cittie Cominius common conflict conspirators contempt contrast conveys Coriolanus Corioles creates critical death deeds doth Dramatic Sources dramatist Egypt Egyptian embodiment enemies Enobarbus expression Feast of Lupercal feeling friends gives hand hath heart hero honour Ibid imagery Julius Caesar kill King King Lear Lavinia Leggatt Lepidus living Mark Antony Martius Menenius mother murder Narrative and Dramatic nature never noble Octavius Caesar patricians plebeians Plutarch Plutarch's account political Pompey Pompey's powerfully response reveals revenge Roman history Roman plays Roman values Roman world Rome sayd selfe Senate sense Shake Shakespeare Shakespeare's Roman shewed Sicinius significant social universe society soldiers speak speech sword thee thou Titus Andronicus tongue tragedy tribunes triumph unto vision Volsces Volumnia warre warrior words wounds
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