Shakespeare's Roman WorldsRoutledge, 1989 - 243 sidor Shows how a clear understanding of Shakespeare's explorations of Roman values offers invaluable critical insights into the Roman plays. |
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... means true , because Octavius ' denunciation of Antony in terms which portray him as the quintessential Roman , before he met Cleopatra , is arguably the best example in all four plays of what it means to be a Roman ( I.iv.55-71 ) ...
... means true , because Octavius ' denunciation of Antony in terms which portray him as the quintessential Roman , before he met Cleopatra , is arguably the best example in all four plays of what it means to be a Roman ( I.iv.55-71 ) ...
Sida 145
... means to enable them to enjoy the variety and abundance that a third of the world can give them ) , but the baser elements have to be purged in forging a historical identity . When Antony's sword proves inadequate to ' earn our ...
... means to enable them to enjoy the variety and abundance that a third of the world can give them ) , but the baser elements have to be purged in forging a historical identity . When Antony's sword proves inadequate to ' earn our ...
Sida 183
... means of demonstrating the worth of the patricians - after all , the plebeians are being starved so the ' belly ' is not disbursing its vital substance throughout the social organism - Menenius is confident that it has been successful ...
... means of demonstrating the worth of the patricians - after all , the plebeians are being starved so the ' belly ' is not disbursing its vital substance throughout the social organism - Menenius is confident that it has been successful ...
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IMAGES AND SELFIMAGES IN JULIUS CAESAR | 40 |
REALITIES AND IMAGININGS IN ANTONY AND | 93 |
SOUNDS WORDS GESTURES AND DEEDS IN | 154 |
Upphovsrätt | |
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action Antony and Cleopatra Antony's appear assassination audience Aufidius awareness battle bicause body Brutus and Cassius Bullough Casca Cassius character Cicero cittie Cominius common conflict conspirators contempt contrast conveys Coriolanus Corioles creates critical death deeds doth Dramatic Sources dramatist Egypt Egyptian embodiment enemies Enobarbus expression Feast of Lupercal feeling friends gives hand hath heart hero honour Ibid imagery Julius Caesar kill King King Lear Lavinia Leggatt Lepidus living Mark Antony Martius Menenius mother murder Narrative and Dramatic nature never noble Octavius Caesar patricians plebeians Plutarch Plutarch's account political Pompey Pompey's powerfully response reveals revenge Roman history Roman plays Roman values Roman world Rome sayd selfe Senate sense Shake Shakespeare Shakespeare's Roman shewed Sicinius significant social universe society soldiers speak speech sword thee thou Titus Andronicus tongue tragedy tribunes triumph unto vision Volsces Volumnia warre warrior words wounds
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