Chamber Music: Elizabethan Sonnet-sequences and the Pleasure of Criticism

Framsida
University of Toronto Press, 1 jan. 1998 - 289 sidor
Arranged somewhat like a sonnet-sequence, in semi-sequential units, Chamber Music can be seen as following two streams. In the first instance, it presents a fresh and original discussion of the major Elizabethan sonnet-sequences: Sidney's Astrophil and Stella, Spenser's Amoretti and Epithalamion, and Shakespeare's Sonnets and Lover's Complaint. The sonnet-sequences are read in tandem with works of modern criticism, including those of Roland Barthes, Michel Riffaterre, Paul Ricoeur, Jacques Derrida, and Umberto Eco. The book is also an experiment in modern (as opposed to postmodern) criticism in which the content of the argument modifies the presentation.
 

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Three easy pieces
26
Polyphony
43
TempoSequenza
56
Twopart invention
77
Theme with variations
101
From the New World
114
Ein Heldenleben
132
Death and the maiden
150
Divertimento
174
Fourpart fugue
191
Encore
218
DISCOURSE AND ITS CHOICES
233
NOTES
239
INDEX
281
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Om författaren (1998)

ROGER KUIN is a member of the Department of English, McLaughlin College, York University.

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