That Lufus' heroes in his port fupplied, And tasted rest, he own'd his dearest pride, And far from shore through middle ocean bears. The powers of heaven, and heaven's dread Lord he knew, Refolved in Lisboa glorious to renew The Roman honours-raging with despair From high Olympus' brow he cleaves the air, And fue that aid deny'd him in the skies: Blaf b and Melindians was of long continuance. See the Preface. Whate'er bis land could give.- -The friendship of the Portuguese Blafpheming heaven, he pierced the dread abode The ocean's Monarch, by the Nereid train, Its crystal towers, and emulates the spheres; Here rifing from the mafs; diftinct and clear, Apart the four fair elements appear. High o'er the rest ascends the blaze of fire, Nor fed by matter did the rays aspire, But glow'd ætherial, as the living flame, Which, ftolen from heaven, inspired the vital frame. Next, all-embracing air was spread around, Thin as the light, incapable of wound; The subtle power the burning fouth pervades, And penetrates the depth of polar fhades. Here mother earth, with mountains crown'd, is feen, Of war in heaven, and mighty Jove in arms: And vomits smoke and fire against the darken'd skies. Two gods contending in the noble strife, The choiceft boon to human kind to give, Their toils to lighten, or their wants relieve: While © Their wants relieve.According to fable, Neptune and Minerva difputed the honour of giving a name to the city of Athens. They agreed to determine the contest by a display of their wisdom and power, in conferring the most beneficial gift on mankind. Neptune ftruck the earth with his trident and produced the horfe, whose bounding motions are emblematical of While Pallas here appears to waive her & hand, The warrior horfe, his ample cheft he rears, And his fore-hoofs, high pawing, fmite the air. Though e wide and various o'er the sculptured stone The feats of gods, and god-like heroes fhone, On of the agitation of the sea. Minerva commanded the olive tree, the symbol of peace and of riches, to fpring forth. The victory was adjudged to the goddess, from whom the city was named Athens. As the Egyptians and Mexicans wrote their history in hieroglyphics, the taste of the ancient Grecians cloathed almost every occurrence in mythological allegory. The founders of Athens, it is most probable, difputed whether their new city fhould be named from the fertility of the foil or from the marine fituation of Attica. The former opinion prevailed, and the town received its name in honour of the goddess of the olive tree. As Neptune ftruck the ftruck the earth with her While Pallas here appears to waive her hand.earth with his trident, Minerva, fays the fable, lance. That she waved her hand while the olive boughs fpread, is a fine poetical attitude, and varies the picture from that of Neptune, which follows it. e Though wide and various o'er the fculptured ftone. -The defcription of palaces is a favourite topic feveral times touched upon by the two great masters of epic poetry, in which they have been happily imitated by their three greatest difciples among the moderns, Camoëns, Taffo, and Milton. The defcription of the palace of Neptune has great merit. Nothing can be more in place than the picture of chaos and the four elements. The war of the gods, and the conteft of Neptune and Minerva are touched with the true boldness of poetical colouring. But perhaps it deferves cenfure thus to point out what every reader of taste muft perceive. To fhew to the mere English reader that the Portuguese poet is, in his manner, truly claffical, is the intention of many of these notes. On speed the vengeful dæmon views no more: I more, if more you For all should hear the wrong that touches all. Or through the yielding waves, his herald, bounds; A fhell of purple on his head he bore-In the Fortuguefe, } But |