Beyond the power of language, will unfold How lovely! how commanding! But though Heaven And gentlest beauty. Hence when lightning fires The nations tremble, Shakspeare looks abroad But Waller longs 16, 15 See note the first of this book. 16 O! how I long my careless limbs to lay And again, All on the margin of some flowery stream O! bless'd of Heaven, whom not the languid songs Of luxury, the siren! not the bribes Of sordid wealth, nor all the gaudy spoils Those ever-blooming sweets, which from the store To charm the enliven'd soul! What though not all Yet Nature's care, to all her children just, The rural honours his. His the city's pomp, The princely dome, the column and the arch, : Of Autumn tinges every fertile branch With blooming gold and blushes like the morn. Each passing hour sheds tribute from her wings; And still new beauties meet his lonely walk, And loves unfelt attract him. Not a breeze Within herself this elegance of love, This fair inspired delight: her temper'd powers 17 That this account may not appear rather poetically extravagant than just in philosophy, it may be proper to produce the sentiment of one of the greatest, wisest, and best of men on this head; one so little to be suspected of partiality in the case, that he reckons it among those favours for which he was especially thankful to the gods, that they had not suffered him to make any great proficiency in the arts of eloquence and poetry, lest by that means he should have been diverted from pursuits of more importance to his high station. Speaking of the beauty of universal nature, he observes, that there is a pleasing and graceful aspect in every object we perceive, when once we consider its connexion with that general order.' He instances in many things which at first sight would be thought rather deformities; and then adds, that a man who enjoys a sensibility of temper with a just comprehension of the universal order-will discern many amiable things, not credible to every mind, but to those alone who have entered into an honourable familiarity with Nature and her works.'-M. Antonin. iii. 2. But if to ampler prospects, if to gaze The world's foundations, if to these the mind Would the forms Whom Nature's works can charm, with God himself HYMN ΤΟ THE NAIADS. ARGUMENT. The Nymphs, who preside over springs and rivulets, are addressed at day-break, in honour of their several functions, and of the relations which they bear to the natural and to the moral world. Their origin is deduced from the first allegorical deities, or powers of nature, according to the doctrine of the old mythological poets, concerning the generation of the gods and the rise of things. They are then successively considered, as giving motion to the air, and exciting summer-breezes; as nourishing and beautifying the vegetable creation; as contributing to the fulness of navigable rivers, and consequently to the maintenance of commerce; and by that means, to the maritime part of military power. Next is represented their favourable influence upon health, when assisted by rural exercise; which introduces their connexion with the art of physic, and the happy effects of mineral medicinal springs. Lastly, they are celebrated for the friendship which the Muses bear them, and for the true inspiration which temperance only can receive; in opposition to the enthusiasm of the more licentious poets. O'ER yonder eastern hill the twilight pale K |