Byron & Shakespeare - Wils KniRoutledge, 28 okt. 2013 - 408 sidor In this volume, G. Wilson Knight deals with the "superabundance of analogies between Byron and Shakespeare" through analysis and literarty criticism of poetry, sonnets and essays. |
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... Murray . Byron's mannerisms are helpful as directions for reading aloud , and for the reading aloud of Byron see p . 37 below , note ; but some are hard on the critical eye . To print them all might be unwise , and yet many are of sharp ...
... Murray . Byron's mannerisms are helpful as directions for reading aloud , and for the reading aloud of Byron see p . 37 below , note ; but some are hard on the critical eye . To print them all might be unwise , and yet many are of sharp ...
Sida x
... Murray ; 2 vols . , 1922 ( C ) . Byron ; A Self - Portrait : letters , ed . Peter Quennell ; 2 vols . , 1950 ( SP ) . Letters and Journals of Lord Byron , with notices of his life : Thomas Moore ; 2 vols . , 1830 ; single vol . edn ...
... Murray ; 2 vols . , 1922 ( C ) . Byron ; A Self - Portrait : letters , ed . Peter Quennell ; 2 vols . , 1950 ( SP ) . Letters and Journals of Lord Byron , with notices of his life : Thomas Moore ; 2 vols . , 1830 ; single vol . edn ...
Sida xiii
... Murray 240 4. Teresa Guiccioli in 1839 , by Count D'Orsay 241 S. Lord Byron in Albanian dress , by Thomas Phillips ... Murray ; for 4 , from a photo3 , graph kindly loaned by Sir John Murray , to the Marchesa Origo ; and for 6 , to the ...
... Murray 240 4. Teresa Guiccioli in 1839 , by Count D'Orsay 241 S. Lord Byron in Albanian dress , by Thomas Phillips ... Murray ; for 4 , from a photo3 , graph kindly loaned by Sir John Murray , to the Marchesa Origo ; and for 6 , to the ...
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... ( Murray , 14 July , 1821 ; LJ , V , 323 ) . Byron's own dramas were given a different , more ' classic ' , style . Why was this ? The answer is easy . It was just because Byron had so much Shakespearian and other drama in him as a man ...
... ( Murray , 14 July , 1821 ; LJ , V , 323 ) . Byron's own dramas were given a different , more ' classic ' , style . Why was this ? The answer is easy . It was just because Byron had so much Shakespearian and other drama in him as a man ...
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1 | |
II Sonnets and Seraphs | 24 |
III A Regency Hamlet | 73 |
IV Falstaff and Comedy | 117 |
V Richard III and Macbeth | 151 |
VI Timon and Shylock | 188 |
VII Antony and Cleopatras Othello | 227 |
VIII Tempests Lear Prospera | 262 |
IX Henry VIII | 317 |
X The Golden Thread | 333 |
The Separation Controversy | 351 |
367 | |
378 | |
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action Antony appears beauty become Cain called cause Childe Harold Cleopatra corresponds dark death Don Juan drama dream earth England existence experience fear feel felt given Greece Hamlet heart Henry Hobhouse honour human imagination Italy Journal kind King Lady Lady Melbourne least leaving less letter light lines living Lord Byron Macbeth Manfred March marriage means mind Moore moral Murray mystery nature never once Parry passage passion perhaps period phrase play poem poet poetic poetry political present quoted reason records reference regarded relation remained Richard seems seen sense sexual Shakespeare's Shakespearian society Sonnets soul spirit strong suggests symbol tells Tempest thee things thinking thou thought Timon told tone true truth turn VIII whole writes written wrote young youth