Music and the Reformation in England 1549-1660CUP Archive, 14 dec. 1978 - 454 sidor In the years following the Act of Uniformity in 1549, musicians seemed to thrive on the challenge of the New Prayer Book, and the successive reigns of Elizabeth I, James I and Charles I bought a rich and varied repertory of vernacular church music. Peter Le Huray traces these developments in great detail, drawing on many contemporary sources to illuminate the music and its social and religious background. |
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Music and the English Reformation I | 1 |
The English and Sarum Forms of Service Compared | 20 |
some Rubrics from the 1549 | 27 |
The Elizabethan Settlement | 31 |
The Chapel Royal | 57 |
The Chapel Royal Choir during the Reigns | 68 |
Some Performance Problems | 90 |
The Major Liturgical Sources of preRestoration | 91 |
The Wanley PartBooks | 173 |
Edwardian and Early Elizabethan Services | 183 |
Tallis English Compositions | 195 |
Tyes English Compositions | 201 |
Mundys English Compositions | 217 |
Early Verse Anthems and Full Anthems | 224 |
The Anthems of William Byrd | 239 |
Morleys Anthems and Services in Verse Style | 259 |
The Main Secular Sources of preRestoration Anthems | 98 |
a Comparison of some Primary | 104 |
s Trends and Influences | 135 |
as it is to be sung in Churches | 157 |
Some Sixteenth and Early SeventeenthCentury | 161 |
Edwardian and Early Elizabethan Church Music | 172 |
Thomas Tomkins and his Contemporaries | 274 |
William Child his Contemporaries and the Stile | 340 |
Published for the recreation of all such | 370 |
Bibliography | 427 |
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Music and the Reformation in England: 1549-1660 Peter Le Huray Fragmentarisk förhandsgranskning - 1967 |
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Abbey adapted Almighty appear bass Blessed Book boys Byrd called Cathedral century Chapel Royal Chapter choir choral chorus Christ church church music collection College common composer compositions contain contemporaries continued Dean Deum devotional early Elizabethan England English especially five four Gibbons give Glory hand hath hear heard heart Holy imitative interest John kind King later Latin least less liturgical London Lord MAATB Magnificat Mass Master MATB meanes minor Morley motets musicians Nunc dimittis organ organist original Oxford play Praise the Lord prayer Preces psalms published Reformation Richard Robert scored Service settings Short sing solo song soul sources style suggests sung TABLE Tallis tenor Thee third Thomas Thou Tomkins trebles tunes turn unto verse anthems viols voices
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