Making it Ours: Queering the CanonUniversity Press of the South, 1998 - 193 sidor |
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Sida 86
... femininity , we cannot disregard it . We still hear campy substitution of feminine references to each other when there are no outsid- ers within hearing . Referring to homosexual friends as " the girls " and using feminine pronouns to ...
... femininity , we cannot disregard it . We still hear campy substitution of feminine references to each other when there are no outsid- ers within hearing . Referring to homosexual friends as " the girls " and using feminine pronouns to ...
Sida 98
... feminine content ( Eliot ) and masculine form ( Pound ) . If we read the poem sexually , the poem as coitus need not fit into a simplistic heterosexual mode frozen into the “ missionary position . " Deconstruction has shown us that any ...
... feminine content ( Eliot ) and masculine form ( Pound ) . If we read the poem sexually , the poem as coitus need not fit into a simplistic heterosexual mode frozen into the “ missionary position . " Deconstruction has shown us that any ...
Sida 120
... feminine they find in themselves or in the women whom they know . But the purpose of the drag show is to express the feminine , to enhance it , and to glory in it . The drag queen takes himself seriously , even when he exagger- ates the ...
... feminine they find in themselves or in the women whom they know . But the purpose of the drag show is to express the feminine , to enhance it , and to glory in it . The drag queen takes himself seriously , even when he exagger- ates the ...
Innehåll
Overview | 1 |
Seizing the Erotic | 23 |
The Sexual Predator | 47 |
Upphovsrätt | |
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accept actor actually Allan Ginsberg articulate become Bildungsroman body character closet conceal condemned constructed cross dressing culture describes deviant difference dominant society Dracula drag queen erotic eroticism erotophobia evil experience faultlines fear female feminine feminized force gay male gay readers gender Heathcliff heterosexist heterosexual hide homo homoerotic homoeroticism homophobia homosexual identify identity interpretation invisible label Lesbian literary text literature lover male voice manly masculine mask masturbation monster moral narrative narrator Native American novel openly gay ourselves Pandarus person physical play pleasure poem poet poetry pornography position queer Queer Theory question rape role Satan secret seems sex scenes sexual act sexual behavior sexual desire shape silence social sodomy soul space speak stereotype story straight subtext surface syllabic verse Tayo Tayo's tell textual threatens tion transgressive truth viewer voyeur wearer woman women words writer young