The Plays and Poems of William Shakspeare: With the Corrections and Illustrations of Various Commentators, Volym 1F. C. and J. Rivington, 1821 |
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The Plays and Poems of William Shakspeare, Volym 1 William Shakespeare Obegränsad förhandsgranskning - 1821 |
The Plays and Poems of William Shakspeare, Volym 1 William Shakespeare Obegränsad förhandsgranskning - 1821 |
The Plays and Poems of William Shakspeare, Volym 1 William Shakespeare Obegränsad förhandsgranskning - 1821 |
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acquaintance admirers ancient appears Ben Jonson Cæsar censure character collation comedy conjecture correct corrupted criticism death drama dramatick edition editor emendation English errors favour French genius gentleman Hamlet hath honour imitation instance John Jonson judgment Juliet Julius Cæsar King Henry King Lear labour language Latin learning letter lines Lond Love's Labour's Lost Lover's Melancholy Macbeth Malone Malone's meaning Merchant of Venice metre modern nature never notes obscure observed old copies opinion original passage perhaps pieces players plays poem poet poet's poetry Pope portrait praise preface prefixed present printed publick published quarto reader reason remarks Romeo and Juliet says scene second folio seems Shak Shakspeare Shakspeare's stage Steevens supposed syllables theatre Theobald thing thou thought tion Titus Andronicus tragedy translation Troilus and Cressida truth verse volume Winter's Tale words writer written
Populära avsnitt
Sida 476 - For though the Poet's matter Nature be His art doth give the fashion. And that he Who casts to write a living line, must sweat (Such as thine are), and strike the second heat Upon the Muses...
Sida xlvi - I behold like a Spanish great galleon and an English man-of-war. Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances. CVL, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
Sida 484 - WHAT needs my Shakespeare for his honoured bones, The labour of an age in piled stones, Or that his hallowed relics should be hid Under a star-ypointing pyramid? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name? Thou in our wonder and astonishment Hast built thyself a live-long monument. For whilst to th...
Sida 459 - Taint not thy mind, nor let thy soul contrive Against thy mother aught; leave her to heaven, And to those thorns that in her bosom lodge To prick and sting her.
Sida 319 - Their downy breast; the swan with arched neck, Between her white wings, mantling proudly, rows Her state with oary feet...
Sida 473 - To draw no envy, Shakespeare, on thy name, Am I thus ample to thy book and fame, While I confess thy writings to be such As neither man nor muse can praise too much.
Sida 251 - To guard a title that was rich before, To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or add another hue Unto the rainbow, or with taper-light To seek the beauteous eye of heaven to garnish, [s wasteful and ridiculous excess.
Sida 454 - And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress
Sida 502 - This pencil take' (she said), 'whose colours clear Richly paint the vernal year: Thine, too, these golden keys, immortal Boy! This can unlock the gates of joy; Of horror that, and thrilling fears, Or ope the sacred source of sympathetic tears.
Sida 128 - Newly imprinted and enlarged to almost as much againe as it was, according to the true and perfect Coppie.