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THE SIMPLON PASS.

BROOK and road
Were fellow-travellers in this gloomy pass,
And with them did we journey several hours
At a slow step. The immeasurable height
Of woods decaying, never to be decayed,
The stationary blasts of waterfalls,

And in the narrow rent, at every turn,
Winds thwarting winds bewildered and forlorn,
The torrents shooting from the clear blue sky,
The rocks that muttered close upon our ears,
Black drizzling crags that spake by the wayside
As if a voice were in them, the sick sight
And giddy prospect of the raving stream,
The unfettered clouds and region of the heavens,
Tumult and peace, the darkness and the light-
Where all like workings of one mind, the features
Of the same face, blossoms upon one tree,
Characters of the great Apocalypse,
The types and symbols of Eternity,

Of first, and last, and midst, and without end.

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The multiplication of mountain-ridges described at the commencement of the third Stanza of this Ode, as a kind of Jacob's Ladder, leading to Heaven, is produced either by watery vapours, or sunny haze ;-in the present instance by the latter cause. Allusions to the Ode, entitled 'Intimations of Immortality,' pervade the last stanza of the foregoing Poem.

In these lines I am under obligation to the exquisite picture of "Jacob's Dream," by Mr. Allston, now in America. It is pleasant to make this public acknowledg. ment to a man of genius, whom I have the honour to rank among my friends.

Dread Power! whom peace and calmness serve
No less than nature's threatening voice,
If aught unworthy be my choice,
From THEE if I would swerve;

O, let thy grace remind me of the light
Full early lost, and fruitlessly deplored;
Which, at this moment, on my waking sight
Appears to shine, by miracle restored;
My soul, though yet confined to earth,
Rejoices in a second birth!

-'Tis past, the visionary splendour fades;
And night approaches with her shades.

TO THE CLOUDS.

ARMY of Clouds! ye winged Host in troops
Ascending from behind the motionless brow
Of that tall rock, as from a hidden world,
O whither with such eagerness of speed?
What seek ye, or what shun ye? of the gale
Companions, fear ye to be left behind,
Or racing o'er your blue ethereal field
Contend ye with each other? of the sea
Children, thus post ye over vale and height
To sink upon your mother's lap - and rest?
Or were ye rightlier hailed, when first mine eyes
Beheld in your impetuous march the likeness
Of a wide army pressing on to meet
Or overtake some unknown enemy?

But your smooth motions suit a peaceful aim;
And Fancy, not less aptly pleased, compares
Your squadrons to an endless flight of birds
Aerial, upon due migration bound
To milder climes; or rather do ye urge

In caravan your hasty pilgrimage

To pause at last on more aspiring heights
Than these, and utter your devotion there
With thunderous voice? Or are ye jubilant,
And would ye, tracking your proud lord the Sun,
Be present at his setting; or the pomp

Of Persian mornings would ye fill, and stand
Poising your splendours high above the heads
Of worshippers kneeling to their up-risen God?
Whence, whence, ye clouds! this eagerness of speed?
Speak, silent creatures. They are gone, are fled,
Buried together in yon gloomy mass
That loads the middle heaven; and clear and bright
And vacant doth the region which they thronged
Appear; a calm descent of sky conducting
Down to the unapproachable abyss,

Down to that hidden gulf from which they rose
To vanish fleet as days and months and years,
Fleet as the generations of mankind,
Power, glory, empire, as the world itself,

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The lingering world, when time hath ceased to be.
But the winds roar, shaking the rooted trees,
And see! a bright precursor to a train
Perchance as numerous, overpeers the rock
That sullenly refuses to partake

Of the wild impulse. From a fount of life
Invisible, the long procession moves
Luminous or gloomy, welcome to the vale
Which they are entering, welcome to mine eye
That sees them, to my soul that owns in them,
And in the bosom of the firmament

O'er which they move, wherein they are contained,
A type of her capacious self and all
Her restless progeny.

A humble walk
Here is my body doomed to tread, this path,
A little hoary line and faintly traced,
Work, shall we call it, of the shepherd's foot
Or of his flock?-joint vestige of them both.
I pace it unrepining, for my thoughts
Admit no bondage and my words have wings.
Where is the Orphean lyre, or Druid harp,
To accompany the verse? The mountain blast
Shall be our hand of music; he shall sweep
The rocks, and quivering trees, and billowy lake,
And search the fibres of the caves, and they
Shall answer, for our song is of the clouds
And the wind loves them; and the gentle gales-
Which by their aid re-clothe the naked lawn
With annual verdure, and revive the woods,
And moisten the parched lips of thirsty flowers
Love them; and every idle breeze of air
Bends to the favourite burthen. Moon and stars
Keep their most solemn vigils when the clouds
Watch also, shifting peaceably their place
Like bands of ministering spirits, or when they lie,
As if some Protean art the change had wrought,
In listless quiet o'er the ethereal deep
Scattered, a Cyclades of various shapes
And all degrees of beauty. O ye lightnings!
Ye are their perilous offspring; and the sun-
Source inexhaustible of life and joy,

And type of man's far-darting reason, therefore
In old time worshipped as the god of verse,
A blazing intellectual deity—

Loves his own glory in their looks, and showers
Upon that unsubstantial brotherhood
Visions with all but beatific light

Enriched too transient were they not renewed
From age to age, and did not while we gaze
In silent rapture, credulous desire
Nourish the hope that memory lacks not power
To keep the treasure unimpaired. Vain thought!
Yet why repine, created as we are

For joy and rest, albeit to find them only
Lodged in the bosom of eternal things?

STANZAS

ON

THE POWER OF SOUND.

ARGUMENT.

The Ear addressed, as occupied by a spiritual functionary, in communion with sounds, individual, or combined in studied harmony. Sources and effects of those sounds (to the close of 6th Stanza). The power of music, whence proceeding, exemplified in the idiot.-Origin of music, and its effect in early ages-how produced (to the middle of 10th Stanza).-The mind recalled to sounds acting casually and severally.-Wish uttered (11th Stanza) that these could be united into a scheme or system for moral interests and intellectual contemplation.(Stanza 12th.) The Pythagorean theory of numbers and music, with their supposed power over the motions of the universe imaginations consonant with such a theory.-Wish expressed (in 11th Stanza) realized, in some degree, by the representation of all sounds under the form of thanksgiving to the Creator. -(Last Stanza) the destruction of earth and the planetary system-the survival of audible harmony, and its support in the Divine Nature, as revealed in Holy Writ.

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4.

Blest be the song that brightens

The blind Man's gloom, exalts the Veteran's mirth.
Unscorned the Peasant's whistling breath, that lightens
His duteous toil of furrowing the green earth.
For the tired Slave, Song lifts the languid oar,

And bids it aptly fall, with chime
That beautifies the fairest shore,

And mitigates the harshest clime.
Yon Pilgrims see― in lagging file
They move; but soon the appointed way
A choral Ave Marie shall beguile,

And to their hope the distant shrine Glisten with a livelier ray:

Nor friendless He, the Prisoner of the Mine, Who from the well-spring of his own clear breast Can draw, and sing his griefs to rest.

5.

When civic renovation

Dawns on a kingdom, and for needful haste
Best eloquence avails not, Inspiration
Mounts with a tune, that travels like a blast
Piping through cave and battlemented tower;
Then starts the Sluggard, pleased to meet
That voice of Freedom, in its power
Of promises, shrill, wild, and sweet!
Who, from a martial pageant, spreads
Incitements of a battle-day,

Thrilling the unweaponed crowd with plumeless heads,

Even She whose Lydian airs inspire

Peaceful striving, gentle play

Of timid hope and innocent desire

Shot from the dancing Graces, as they move Fanned by the plausive wings of Love.

6.

How oft along thy mazes,

Regent of Sound, have dangerous Passions trod !

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And listening Dolphins gather round.
Self-cast, as with a desperate course,
'Mid that strange audience, he bestrides
A proud One docile as a managed horse;
And singing, while the accordant hand
Sweeps his harp, the Master rides;
So shall he touch at length a friendly strand,
And he, with his Preserver, shine star-bright
In memory, through silent night.

10.

The pipe of Pan, to Shepherds
Couched in the shadow of Menalian Pines,
Was passing sweet; the eyeballs of the Leopards,
That in high triumph drew the Lord of vines,
How did they sparkle to the cymbal's clang!
While Fauns and Satyrs beat the ground
In cadence, and Silenus swang

This way and that, with wild-flowers crowned.
To life, to life give back thine Ear:
Ye who are longing to be rid

Of Fable, though to truth subservient, hear
The little sprinkling of cold earth that fell
Echoed from the coffin lid;

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