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MISCELLANEOUS BOOKS.

57

Ottley's Florentine School: A Series of Plates, engraved

after the Paintings and Sculptures of the most Eminent Masters of the Early Florentine School; intended to illustrate the History of the Restoration of the Arts of Design in Italy, by William Young Ottley, F.A.S., author of "An Inquiry into the Origin and Early History of Engraving;' "The Italian School of Design," &c. imperial folio, 51 superb plates, (pub. at £6. 6s) hf. bd. green morocco extra, gilt edges, uniform with the "Italian School of Design," £4. 4s 1826 This valuable work, the companion to the "Italian School of Design," was long considered out of print ;-a few copies have just been made perfect, and they are offered at a very moderate price.

1. Unknown Artist of the

School, (about 1230),

LIST OF THE PLATES.

Greek 28. Taddeo Gaddi, Four Sitting Figures. 29. Giovanni Gaddi, (flourished 13..).

Christ taken down from the Cross. 2. Giunta Pisano, (flouri. 1210-1250), The Crucifixion, executed about 1236, in the upper church of S. Francesco, at Assisi.

3. Giunta Pisano,

Simon Magus supported in the air by Demons,
painted about 1250, in the same church.

4. Greek Artists, 1250,

The Maries and other Disciples mourning over
the Body of Christ at the Sepulchre.

5. Niccola Pisano, (flouri. 1230-129...)
Christ taken down from the Cross.

6. Niccola Pisano, The Creation of Adam.
7. Niccola Pisano, Pious Women in Paradise.
8. Giovanni Cimabue, (born 12....,
died 1300), The Nativity.

The Resurrection of Lazarus.

30. Angiolo Gaddi, another son of Taddeo, (born, died 1387),

31.

32.

33.

Heraclius bearing in procession the true Cross. Andrea Orcagna, (b. 1329, d. 1389),

Christ passing Sentence on the Wicked. Ugolino di Prete Ilario, of Orvieto, (flourished 1356-1370),

A Choir of Angels and Cherubim.

Paolo Uccello, (born 1389, died 1472)'

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9. Giovanni Cimabue,

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The Story of Joseph and his Brethren.
Lorenzo Ghiberti,

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The Queen of Sheba visiting Solomon. 38. Donatello, (born 1383, died 1466), The celebrated Statue of St. George.

39. Donatello,

40.

The Body of Christ surrounded by his Disciples. Fra Giovanni Angelico da Fiesole, (born 1387, died 1455),

St. Stephen preaching.

Fra Giov. Angelico da Fiesole,
St. Lawrence distributing Alms to the Poor.
Masaccio di S. Giovanni, (born

1401, died 1443),

41.

14. Giotto di Bondone,

The Body of St.

Francis, carried to the Monastery of St. Clair.

42.

15. Giotto di Bondone,

St. Francis appearing to Gregory IX.

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16. Giotto di Bondone,

Another Miracle of St. Francis.

17. Giotto di Bondone, Another Miracle of St. Francis.

18. Giotto di Bondone,

St. Francis married by Christ to Poverty.

19. Giotto di Bondone, St. Francis in Glory. 20. Giotto di Bondone,

St. Peter and St. Paul before the Emperor.

45. Melozzo da Forli, (flo. 1460-1471). Christ standing in the Clouds, surrounded by a glory of Angels.

Benozzo Gozzoli, (b. 1400, d. 1478),

46.

The Transfiguration, and The Last Supper.

Noah's Vineyard.

21. Giotto di Bondone,

47.

Benozzo Gozzoli,

Satan applying to the Almighty for permission
to tempt Job.

A Group of Wonen and Children.

48.

Benozzo Gozzoli,

22. Pietro Cavallini, (a Scholar of Giotto) (born 1259, died 1344),

Christ on the cross lamented by Angels.

23. Puccio Capanna, (a Scholar of Giotto), (flourished 1330),

Christ taken down from the Cross.

24. Puccio Capanna, The Burial of Christ. 25 Tommaso di Stefano, called Giottino, (born 1324, died 1356),

A Miracle of St. Nicholas.

26. Taddeo Gaddi, (a Scholar of Giotto),
(bron 1300, died 135...),
Joachim driven from the Temple.

27. Taddeo Gaddi, The Birth of the Virgin.

Abraham entertaining the Three Angels.

49. Benozzo Gozzoli,

The Marriage Festival of Jacob and Rachel.

50. Sandro Botticelli, (b. 1437, d. 1515) The Nativity.

51. Filippino Lippi, (b. 1460, d. 1505),

Two Muses.

52. Luca Signorelli da Cortona, (born

53.

about 1440, died 1521),

The Wicked destroyed at the end of the World.

Luca Signorelli da Cortona,

Demons in the Air.

54. Luca Signorelli da Cortona, A group of Angels.

58

BERNARD QUARITCH'S CATALOGUE OF

Ottley's Italian School of Design, 1 vol. imperial

folio, 84 carefully engraved and tinted plates, being a series of Facsimiles of original DRAWINGS by the most eminent PAINTERS and SCULPTORS of Italy, with biographical notices, (pub. at £12. 12s) hf. bd. morocco extra, gilt edges, £5.

In 1862 Miss Currer's copy fetched £8. 2s 6d.

1. Niccola Pisano.-' Christ taken down from the Cross.'

2. Greek Drawing.-'St. Luke painting the Virgin.'

3. Giunta Pisano.-'Simon Magus.' 4. Giovanni Cimabue, 'Three Angels.' 5. Giovanni Cimabue.-'Studies.'

6. Giotto di Bondone.-The Transfiguration.'

7. Giotto.-The bark of St. Peter.' 8. Giotto.-' The Madonna.'

9. Donatello.- A female figure sitting.' 10. Donatello.-Two Apostolic figures.' 11. Donatello.- Christ from the Cross.' 12. Fra Filippo Lippi.- The Magi.' 13. Andrea Mantegna.-Tritons and Sea-horses.'

14. Andrea Mantegna.-' Man expiring.' 15. Luca Signorelli.-A small fresco in chiaro-scuro, in the Duomo at Orvieto. 16. Luca Signorelli.—' A group of armed men on horseback.' 17. Lionardo da Vinci.

ing his Cross.'

Christ bear

18. Lionardo da Vinci.-'Leda.' 19. Fra Bartolommeo di San Marco. -A study of two figures.'

20. Fra Bartolommeo.- Holy Family.' 21. Fra Bartolommeo.-'The Madonna.' 22. Michelangiolo Buonaroti-'The

dead body of Christ supported by Nicodemus, the Madonna, & Mary Magdalen.' 23. Michelangiolo.-Two draped figures.' 24. Michelangiolo. A man's head.' 25. Michelangiolo. - A page of a sketch

book.'

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1823 40. Raffaelle.-A group of Women and Children from the fresco.

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41. Raffaelle.-The portrait of. 42. Raffaelle.-The Nativity.' 43. Raffaelle.-Study of military figures. 44. Raffaelle.-Head of the Madonna.' 45. Raffaelle. A youth at his devotions.' 46. Raffaelle, (c. 1506).-' A music party.' 47. Raffaelle.-Battle for the Standard.' 48. Raffaelle.- Head of an Angel.' 49. Raffaelle.-Study for two figures, one ascending, the other descending the steps. 50. Raffaelle.-Archimedes & his Disciples.' 51. Raffaelle.-The figure of Diogenes.' 52. Raffaelle.- A group of combatants.' 53. Raffaelle.-The Muse Melpomene.' 54. Raffaelle.-'Figure of a woman.' 55. Raffaelle.-Study for the figure of 'a Woman with two Children.'

56. Raffaelle.-' God appearing to Moses.' 57. Raffaelle.-'Adoration of the Shepherds.' 58. Raffaelle.- The Figure of Adam.' 59 Raffaelle.-- The death of Adonis.' 60. Raffaelle.-Sea Nymphs and Tritons.' 61. Raffaelle.-Group of Children at play.' 62. Raffaelle.-'A female figure, standing. 63, Giulio Romano.-'A female Tiger, with two Cupids.'

64. Giulio Romano.-'A naked female, with attendant infants.'

65. Giulio Romano.-'Death of Semele.' 66. Polidoro da Caravaggio.-Part of frieze, representing the Story of Niobe.' 67. Polidoro.-Part of another frieze. 68. Giorgione da Castelfranco.-' An unknown subject.'

69. Antonio da Correggio.-'Children.' 70. Correggio.-'Original study.' 71. Francesco Mazzuoli, called Il Parmigianino.-'A female winding thread, and a group of Infants.' Parmigianino.-The 'portraits of himself and his mistress.'

72.

73. Bartolommeo Passarotti.-' Group of three half-length figures.'

74. Lod. Caracci.-' Madonna and Child 75. Lod. Caracci.- The Holy Family.' 76. Annibale Caracci- A study of the back-view of a naked female.'

77. Annibale Caracci.-' Caricatures.' 78. Gregorio Pagani.-Design for the finding of the true Cross.'

79. Niccolo Poussin.-A design, representing Mars and Venus with Cupids.' 80. Niccolo Poussin.-The Death of Hippolytus.'

81. Gasparo Poussin-A Landscape. 82. Claudio Lorenese.-'Group of Trees.' Claudio Lore nese.-A Landscape.' Salyator Rosa.-'A study of a Tree.'

MISCELLANEOUS BOOKS.

Now ready, a very carefully prepared issue, in every respect
the same as the original edition, of

OWEN JONES'S ALHAMBRA,

59

PLANS, ELEVATIONS, and SECTIONS OF THE ALHAMBRA, with the elaborate details of this beautiful specimen of MOORISH ARCHITECTURE, minutely displayed in 102 beautifully engraved plates, 67 of which are highly finished in gold and colours, from Drawings taken on the spot, by JULES GOURY and OWEN JONES, with a complete translation of the Arabic Inscriptions, and an historical notice of the Kings of Granada, by P. DE GAYANGOS, 2 vols. atlas folio, (pub. at £24.) hf. red morocco, gilt edges, £16. 168 1842-45 the same, LARGE PAPER, colombier folio, the chromolithographed plates in colours, the same as those on small paper, but the copper-plates printed on INDIA PAPER, (pub. at £36.) hf. bd. morocco, gilt edges, £21. 1842-45

This is without exception one of the most sumptuous works ever executed in any country, but its high price has hitherto kept it out of the hands of all but the wealthy. It is of equal interest to the Amateur, the Architect, the Sculptor and the Decorator, for nothing can exceed the number, variety, and beauty, of the Ornaments and Details. It is accompanied by a complete Translation, by Pasqual de Gayangos, of the Arabic Inscriptions, and an historical notice of the Kings of Granada from the Conquest of that City by the Arabs to the Expulsion of the Moors. "The Alhambra still exists-one of the most recent of European ruins. It is the most perfect in repair and the richest in design, and is still one of the most wonderful productions of Eastern splendour."

LIST OF PLATES, VOL. I.

1. Plan of the Fortress of the Alhambra. 2. Gate of Justice.

3. Plan of the Royal Arabian Palace in the ancient Fortress of the Alhambra.

4. View of the Court of the Fish Pond, from the Hall of the Bark.

5. Transverse section of the Court of the Fish Pond, looking towards the Palace of Charles the Fifth.

6. Arches of the Court of the Fish Pond. 7. Section through the Court of the Fish Pond, and the Hall of the Ambassadors. 8. Ceiling of the Hall of the Ambassadors. 9. Divan, Court of the Fish Pond. 10. Details of the Arches. Hall of the Bark. 11. Details of the great Arches of the Hall of the Bark (quarter size).

12. Ornaments painted on the pendants of the
Hall of the Bark (one-third size).

13. Entrance to the Court of the Lions.
14. Section of the Court of the Lions.
15. Section through the Hall of the Two
Sisters, Court of the Lions, and Hall of
the Abencerrages.

16. Centre arcade of the Court of the Lions.
17. Fountain of the Court of the Lions.
18. Sections of the Hall of Justice.

15. View in the Hall of the Two Sisters.
20. Detail of the Upper Story. Hall of the
Two Sisters.

21. Windows in the Alcove. Hall of the Two
Sisters.

22. Details of the arches in the Hall of the

Abencerrages.

23. Façade, Court of the Mosque.

24. Cornice to the roof, Court of the Mosque.

Scale one-tenth of an inch.

25. Niche, near the Mosque.

26. Longitudinal section through the Baths.
27. Details of an arch in the Hall of Justice.
28. Details of an arch. Portico of the Court
of the Lions.

29. Portico Court of the Lions.
30. Detail of an arch. Court of the Fish Pond.
31. Court of the Lions, and Hall of Justice.
32. Door to the Hall of the Abencerrages.
33. Details of the wood-work of the door to the
Hall of the Abencerrages.

34. Capitals.
35. Capital of a column from the Hall of the
Ambassadors, and four small engaged
shafts from the Hall of the Two Sisters.
36. Ornaments of the Hall of the Ambassadors.
37. Frets from different halls.
38. Actual state of the colours.

39. Mosaic dado in the centre window of the
Hall of the Ambassadors.

40. Mosaic dados on the pillars of the Hall of the Ambassadors.

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9. Band round panels in windows, Hall of the Two Sisters.

XXXII.

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Ornaments on

panels, Hall of the Ambas

sadors.

48. Band at springing of arch at the entrance of the Hall of the Two Sisters from the Court of Lions. 49. Paneling of the centre recess, Hall of the Ambassadors. 50. Soffit of great arch at the entrance of the Court of the Fishpond.

51. Soffit of arch, entrance of the Hall of the Abencerrages. 52, 53, 54, 55. Rafters of a roof over a doorway, now destroyed, beneath the Tocador de la Reyna.

56. Spandril from niche of doorway at the entrance of the Hall of the Ambassadors, from the Sala de la Barca. Lintel of a doorway, Court of

the Mosque.

56, 60, 61, 62. Borders of arches.

VII.

VIII

12, 13, 14, 15, 16.

the junctions of inscriptions, Court of the Lions, and Court of the Fishpond.

IX.

X.

XI.

XII.

17, 18. Sunk lines on the walls, Hall of Justice and Court of Lions. 19, 20, 21. Sunk lines on the walls, House of the Commandment. 22. Soffit of an arch, Court of the Fishpond. 23. Ornament over doorway at the entrance, Court of Lions.

XXXIV.

XXXV.

XXXVI.

XIII.

XIV.

24. Ornament in doorway at the entrance to the Ventana, Hall of the Two Sisters. 25. Ornament on the side of windows, upper story, Hall of the Two Sisters.

XXXVII. 57.

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XXXVIII. 58, XXXIX.

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63. Cornice at springing of arch at doorway at the entrance of the Ventana, Hall of the Two Sisters.

of Columns,

Court of the Lions.

66, 67. Capitals of Columns,

Court of the Lions.

68, 69. Capitals of Columns, Court of the Fishpond.

70. Blank window, Hall of the

Bark.

71. Blank window, Hall of the Bark.

72. Blank window, Hall of the

Bark.

73. Part of ceiling of the portico of the Court of the Fishpond. 74, 75, 76, 77, 78. Bands, sides of arches, Court of Lions.

79, 80, 81, 82, 83, 84. Ornaments on the walls, La Ventana Hall, Hall of the Two Sisters.

85. Mosaic in the Divan, Court of

the Fishpond.

86, 87. Mosaics, in the Baths.

MISCELLANEOUS BOOKS.

61

THE GREAT PATTERN BOOK OF ORNAMENT & DECORATION.

OWEN JONES' GRAMMAR OF ORNAMENT,

ILLUSTRATED BY EXAMPLES FROM VARIOUS STYLES OF ORNAMENT, ONE VOLUME IMPL. 4тo. One hundred and twelve Plates, with English letterpress, EXTRA CLOTH, GILT EDGES, £3. 16s.

The new issue in 28 parts at 2s 6d, is now ready, price £3. 10s.

This great, and to practical Artists absolutely necessary work, is now offered at the above extremely moderate price; 112 fine large plates, in gold and colours, with descriptive text. If any work is to spread Art Taste this valuable production on the highest branches of ornamentation will do it.

At this moderate price "The Grammar of Ornament," is brought within the reach of Artists, Architects, and their Assistants and Pupils, Designers, Art-workmen, and Students of every branch of Ornamental Art. This work also addresses itself to a still larger class of the public who, without having professional need of its teachings, have yet an enlightened sympathy with the beautiful, and would be glad to possess, as an aid to the practice of Illuminating and other accomplishments of a like elegant character, or as a decoration to their drawing-room table, this record of the art of so many countries and periods.

The "Grammar of Ornament" has not only been adopted as a class-book in all the Government schools in this country, but also by the principal schools of the Continent, where the importance to Art of this invaluable collection, and of the principles explained in the text by which Mr. Owen Jones has sought to guide the student to its use, has been fully recognised and honoured.

List of Plates of Owen Jones's Grammar of Ornament.

CHAP. I. Ornament of Savage Tribes. 1 Ornaments from Articles belonging to various Savage Tribes, exhibited in the United Service and British Museums.

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7 Various Cornices formed by the Pendent Lotus.

8 Ornaments from Mummy Cases in the British Museum and the Louvre.

9 Geometrical Ornaments from Ceilings of Tombs.

10 Ornaments with Curved Lines from Ceilings of Tombs.

11 Various Ornaments from Ceilings and
Walls of Tombs.

CHAP. III. Assyrian and Persian
Ornament.

12 Painted Ornaments from Nineveh.
13 Ditto.

14 Carved Ornaments from Persepolis, and Sassanian Ornaments from Ispahan and Bi-Sutoun.

CHAP. IV. Greek Ornament.

15 The various Forms of the Greek Fret.

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22 Painted Greek Ornaments from the Temples and Tombs in Greece and Sicily.

CHAP. V. Pompeian Ornament.

23 Collection of Borders from different Edifices in Pompeii.

24 Ditto Pilasters and Friezes

25 Mosaics from Pompeii and the Museum at Naples.

CHAP. VI. Roman Ornament.

26 Roman Ornaments from Casts in the Crystal Palace.

27 Ditto from the "Musco Bresciano."

CHAP. VII Byzantine Ornament. 28 Carved Byzantine Ornaments. 29 Painted 29* Ditto 30 Mosaics.

CHAP. VIII.

ditto. ditto.

Arabian Ornament.

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35 Mosaics from Walls and Pavements from Houses in Cairo.

CHAP. IX. Turkish Ornament.

36 Ornaments in Relief from Mosques, Tombs
and Fountains at Constantinople.
Painted Ornaments from the Mosque of
Soliman at Constantinople.

37

38 Decoration of the Dome of the Tomb of Soliman I. at Constantinople.

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