The Staging of Romance in Late Shakespeare: Text and Theatrical Technique
University of Delaware Press, 2007 - 304 sidor
Few plays have both attracted and resisted genre study as strongly as Shakespeare's late plays. The Staging of Romance in Late Shakespeare: Text and Theatrical Technique takes a fresh approach to the role of genre in these plays by placing them in relation to the tradition of staged romance in the early modern English theater. The book argues that Shakespeare's late plays can best be understood as theatrical experiments that extend and reform this tradition, which developed around a group of theatrical techniques that sought to realize the effects of narrative romance in the theatrical medium. Their central effect was the creation of admiration in the spectators for heroic action; the value of the plays within the culture derived from this experience.
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Sida 93 - Lear. And my poor fool is hang'd ! No, no, no life ! Why should a dog, a horse, a rat, have life, And thou no breath at all?
Sida 52 - ... cometh to you with words set in delightful proportion, either accompanied with, or prepared for, the well-enchanting skill of music; and with a tale, forsooth, he cometh unto you, with a tale which holdeth children from play and old men from the chimney corner...
Sida 202 - If by your art, my dearest father, you have Put the wild waters in this roar, allay them : The sky, it seems, would pour down stinking pitch, But that the sea, mounting to the welkin's cheek, Dashes the fire out.
Sida 95 - By heaven, methinks it were an easy leap, To pluck bright honour from the pale-fac'd moon ; Or dive into the bottom of the deep, Where fathom-line could never touch the ground, And pluck up drowne'd honour by the locks...
Sida 112 - Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit ? And all for nothing...
Sida 107 - ... violets, dim, But sweeter than the lids of Juno's eyes, Or Cytherea's breath ; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength, a malady Most incident to maids; bold oxlips, and The crown-imperial; lilies of all kinds, The flower-de-luce being one ! O, these I lack, To make you garlands of; and, my sweet friend, To strew him o'er and o'er.
Sida 9 - Though with their high wrongs I am struck to the quick, Yet, with my nobler reason, 'gainst my fury Do I take part : the rarer action is In virtue than in vengeance...
Sida 94 - Let it be so! thy truth then be thy dower! For, by the sacred radiance of the sun, The mysteries of Hecate and the night; By all the operation of the orbs From whom we do exist and cease to be...
Sida 213 - gainst my fury Do I take part. The rarer action is In virtue than in vengeance ; they being penitent, The sole drift of my purpose doth extend Not a frown further.
Sida 95 - Cover your heads, and mock not flesh and blood With solemn reverence : throw away respect, Tradition, form, and ceremonious duty, For you have but mistook me all this while: I live with bread like you, feel want, Taste grief, need friends: subjected thus, How can you say to me I am a king?