Intricate Laughter in the Satire of Swift and PopeMacmillan, 1986 - 206 sidor While the eighteenth century was a period in which satire flourished, many eighteenth-century writers felt considerable unease about the form, and about the laughter it produced. This book explores the intricate effects of satiric laughter, taking as its focus the satire of swift and Pope. Laughter is a weapon which excludes its victim not only from society but from the state of being human. At the same time laughter can achieve and strengthen group identity for those who are engaged in laughing, it is also frequently used as a weapon within society. The satirist, in encouraging laughter, reactivates and legitimizes his reader's childhood sense of play in order to secure endorsement of the satiric attack. The greatest satire however, transcends personal attack and brings the reader to affirm, through laughter, belief in the abiding worth of humankind. |
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Sida 97
... reader , but the laugh of the ' Men of Wit and Tast ' ( Tale of a Tub , p.20 ) . That is the only group Swift would have his readers join . All other groups are no true groups , are in danger of falling apart as soon as looked at , just ...
... reader , but the laugh of the ' Men of Wit and Tast ' ( Tale of a Tub , p.20 ) . That is the only group Swift would have his readers join . All other groups are no true groups , are in danger of falling apart as soon as looked at , just ...
Sida 154
... reader of Tale of a Tub , and those readers of ' cloudless ' and humane vision created by Rape of the Lock - who , it is suggested , rightly belong to Bergson's ' secret freemasonry ' of people capable of laughing at this sort of thing ...
... reader of Tale of a Tub , and those readers of ' cloudless ' and humane vision created by Rape of the Lock - who , it is suggested , rightly belong to Bergson's ' secret freemasonry ' of people capable of laughing at this sort of thing ...
Sida 174
... readers . Swift is having Gulliver increasingly distance himself from the human , and yet the perspective he is ... readers , Gulliver has reached such an extreme and isolated position in relation to mankind that , like Codrus , he ...
... readers . Swift is having Gulliver increasingly distance himself from the human , and yet the perspective he is ... readers , Gulliver has reached such an extreme and isolated position in relation to mankind that , like Codrus , he ...
Innehåll
Laughter | 40 |
Laughter in Society | 82 |
The Playground of the Mind | 118 |
Upphovsrätt | |
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Intricate Laughter in the Satire of Swift and Pope Allan Ingram Fragmentarisk förhandsgranskning - 1986 |
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Addison adult apparently approval Arbuthnot aroused attack Beautiful Young Nymph behaviour Bergson Bickerstaff Brobdingnag Bruner Characteristics Charlesworth and Kreutzer child Cibber comic Corinna couplet Darwin death described Discourse Dryden Dunciad effect endorse Essay Examiner example expected expression eyes face feeling Freud genuine Gulliver Gulliver's Gulliver's Travels Hobbes Hobbesian Hooff Horace Houyhnhnms Huizinga human Humour ideal individual infant joke Jolly and Sylva Jonathan Swift judgment Juvenal kind Laing language laugh laughter Learning Leviathan Lock man's mankind mind moral nature numbers object observes ontologically secure particular Partridge Partridge's party passion pattern person perspective play pleasure poem poet Polite Conversation Pope Pope's proper Prose Writings R. D. Laing raillery Rape reader response ridiculous satiric victim satirist says secret freemasonry sense Sensus Communis Shaftesbury smile social society Spectator Steele Steele's super-ego Swift Tale Tatler thing true Verses W. B. Yeats Whig words Wotton Yahoo
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A Contradiction Still: Representations of Women in the Poetry of Alexander Pope Christa Knellwolf King Fragmentarisk förhandsgranskning - 1998 |