Intricate Laughter in the Satire of Swift and PopeMacmillan, 1986 - 206 sidor While the eighteenth century was a period in which satire flourished, many eighteenth-century writers felt considerable unease about the form, and about the laughter it produced. This book explores the intricate effects of satiric laughter, taking as its focus the satire of swift and Pope. Laughter is a weapon which excludes its victim not only from society but from the state of being human. At the same time laughter can achieve and strengthen group identity for those who are engaged in laughing, it is also frequently used as a weapon within society. The satirist, in encouraging laughter, reactivates and legitimizes his reader's childhood sense of play in order to secure endorsement of the satiric attack. The greatest satire however, transcends personal attack and brings the reader to affirm, through laughter, belief in the abiding worth of humankind. |
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Sida 27
... response . Only through the ' fine raillery ' that is made possible by good sense and good nature can the laugh be rendered more significant than just a taste for ' garbage ' and yet remain unpolluted by malice or bitterness . It is ...
... response . Only through the ' fine raillery ' that is made possible by good sense and good nature can the laugh be rendered more significant than just a taste for ' garbage ' and yet remain unpolluted by malice or bitterness . It is ...
Sida 109
... response and the laugh are so vital to maintaining the illusion . That the group will fall into a vacancy and see the emptiness of its social milieu is obviously one danger of letting conversation flag . But a second and , we assume ...
... response and the laugh are so vital to maintaining the illusion . That the group will fall into a vacancy and see the emptiness of its social milieu is obviously one danger of letting conversation flag . But a second and , we assume ...
Sida 166
... response this exemplary satiric portrait should draw : ' Who but must laugh , if such a man there be ? / Who would not weep , if Atticus were he ! ' ( Arbuthnot , 1.213-4 ) . For a rare moment , we are invited to laugh as gods and yet ...
... response this exemplary satiric portrait should draw : ' Who but must laugh , if such a man there be ? / Who would not weep , if Atticus were he ! ' ( Arbuthnot , 1.213-4 ) . For a rare moment , we are invited to laugh as gods and yet ...
Innehåll
Laughter | 40 |
Laughter in Society | 82 |
The Playground of the Mind | 118 |
Upphovsrätt | |
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Intricate Laughter in the Satire of Swift and Pope Allan Ingram Fragmentarisk förhandsgranskning - 1986 |
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able Addison already apparently approval attack authority becomes begins behaviour Bergson called chapter character Characteristics child Cibber clearly comic common complete concerned consequence continues Conversation course death described Discourse display Dryden Dunciad effect equally Examiner example existence expected experience expression eyes face fact feeling final Freud friends give Gulliver hand Hobbes human Humour ideal identity individual interest joke judge judgment kind Laing language laugh laughter Learning Letter look man's mankind manner means mechanical mind moral nature never object observes opening particular party pattern person perspective play pleasure poem Polite Pope possible present produce proper Prose Writings Rape reader reading reason relation response ridiculous satiric satirist says seen sense Shaftesbury smile social society Steele suggests Swift Tale thing treated true turn understanding Verses victim whole
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A Contradiction Still: Representations of Women in the Poetry of Alexander Pope Christa Knellwolf King Fragmentarisk förhandsgranskning - 1998 |