HamletPenguin UK, 7 apr. 2005 - 400 sidor 'The Mona Lisa of literature' T. S. Eliot |
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... Actors. ALAN SINFIELD is Emeritus Professor of English at the University of Sussex. His books include Literature, Politics and Culture in Postwar Britain, Faultlines: Culture Materialism and the Politics of Dissident Reading, Cultural ...
... Actors. ALAN SINFIELD is Emeritus Professor of English at the University of Sussex. His books include Literature, Politics and Culture in Postwar Britain, Faultlines: Culture Materialism and the Politics of Dissident Reading, Cultural ...
Sida
... actors the alternation between serious and comic modes from play to play, and often also within the plays themselves, that the repertory system within which he worked demanded, and which provided an invaluable stimulus to his ...
... actors the alternation between serious and comic modes from play to play, and often also within the plays themselves, that the repertory system within which he worked demanded, and which provided an invaluable stimulus to his ...
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... actor, shareholder and playwright. No other dramatist of the period had so stable a relationship with a single company. Shakespeare knew the actors for whom he was writing and the conditions in which they performed. The permanent ...
... actor, shareholder and playwright. No other dramatist of the period had so stable a relationship with a single company. Shakespeare knew the actors for whom he was writing and the conditions in which they performed. The permanent ...
Sida
... Actors entered through doors in the back wall of the stage. Above it was a balconied area that could represent the walls of a town (as in King John), or a castle (as in Richard II), and indeed a balcony (as in Romeo and Juliet). In 1609 ...
... Actors entered through doors in the back wall of the stage. Above it was a balconied area that could represent the walls of a town (as in King John), or a castle (as in Richard II), and indeed a balcony (as in Romeo and Juliet). In 1609 ...
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... actor David Garrick (1717–79) organized a spectacular jubilee in Stratford in 1769 that Shakespeare began to be regarded as a transcendental genius. Garrick's idolatry prefigured the enthusiasm of critics such as Samuel Taylor Coleridge ...
... actor David Garrick (1717–79) organized a spectacular jubilee in Stratford in 1769 that Shakespeare began to be regarded as a transcendental genius. Garrick's idolatry prefigured the enthusiasm of critics such as Samuel Taylor Coleridge ...
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action actor audience BARNARDO behaviour blood character Christian Claudius Claudius’s Danish dead dear Denmark doth e’en Elizabethan England Enter Hamlet Enter the King Exeunt Exit eyes F reads father fear Fortinbras friends gentleman Gertrude Ghost give God’s hast hath hear heart heaven honour in’t is’t Jephthah judgement Julius Caesar killed King and Queen King Claudius King Hamlet King of Denmark King’s Laertes Laertes’s look madness MARCELLUS marriage means misogyny mother murder nature night Norway o’er Ophelia OSRICK Paul Prescott performance perhaps phrase play play’s PLAYER poison Pollax Polonius Polonius’s pray Presumably Prince Prince Hamlet probably Pyrrhus Q2 and F Q2 reads Quarto rapiers revenge REYNALDO Richard II Rosencrantz and Guildenstern scene SECOND CLOWN seems sense Shakespeare soliloquy soul speak speech sweet sword tell theatre thee There’s thou thoughts tragedy Trumpets Voltemand what’s word