HamletPenguin UK, 7 apr. 2005 - 400 sidor 'The Mona Lisa of literature' T. S. Eliot |
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... falls into triviality, brutality and ungodliness. Despite, or because of, all this urgent scholarly and imaginative work, both the character of Hamlet and the meaning of the play remain unresolved. The poet T. S. Eliot in his essay ...
... falls into triviality, brutality and ungodliness. Despite, or because of, all this urgent scholarly and imaginative work, both the character of Hamlet and the meaning of the play remain unresolved. The poet T. S. Eliot in his essay ...
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... fall of a sparrow. (V.2.213–14) Placing Hamlet within the available concepts of revenge helps us to think about the familiar question about his 'character'. The strategy followed here is not to speculate about his personality, in the ...
... fall of a sparrow. (V.2.213–14) Placing Hamlet within the available concepts of revenge helps us to think about the familiar question about his 'character'. The strategy followed here is not to speculate about his personality, in the ...
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... fall of a sparrow'. The first Quarto is usually taken to be a faulty reconstruction, perhaps by an actor from memory (see An Account of the Text), but it shows how one well-placed contemporary read the Prince's thought: it sounds ...
... fall of a sparrow'. The first Quarto is usually taken to be a faulty reconstruction, perhaps by an actor from memory (see An Account of the Text), but it shows how one well-placed contemporary read the Prince's thought: it sounds ...
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... falls back on a tale of exploitation and betrayal: Quoth she, 'Before you tumbled me, You promised me to wed.' He answers: 'So would I ha' done, by yonder sun, An thou hadst not come to my bed.' (IV.5.63–7) Meanwhile a double standard ...
... falls back on a tale of exploitation and betrayal: Quoth she, 'Before you tumbled me, You promised me to wed.' He answers: 'So would I ha' done, by yonder sun, An thou hadst not come to my bed.' (IV.5.63–7) Meanwhile a double standard ...
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action actor audience BARNARDO behaviour blood character Christian Claudius Claudius’s Danish dead dear Denmark doth e’en Elizabethan England Enter Hamlet Enter the King Exeunt Exit eyes F reads father fear Fortinbras friends gentleman Gertrude Ghost give God’s hast hath hear heart heaven honour in’t is’t Jephthah judgement Julius Caesar killed King and Queen King Claudius King Hamlet King of Denmark King’s Laertes Laertes’s look madness MARCELLUS marriage means misogyny mother murder nature night Norway o’er Ophelia OSRICK Paul Prescott performance perhaps phrase play play’s PLAYER poison Pollax Polonius Polonius’s pray Presumably Prince Prince Hamlet probably Pyrrhus Q2 and F Q2 reads Quarto rapiers revenge REYNALDO Richard II Rosencrantz and Guildenstern scene SECOND CLOWN seems sense Shakespeare soliloquy soul speak speech sweet sword tell theatre thee There’s thou thoughts tragedy Trumpets Voltemand what’s word