HamletPenguin UK, 7 apr. 2005 - 400 sidor 'The Mona Lisa of literature' T. S. Eliot |
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... madness. Hamlet's mental state is important because it threatens the Danish state. 'Madness in great ones must not unwatched go', the King declares (III.1.189). He demands that Hamlet remain at court, under observation. Ophelia is ...
... madness. Hamlet's mental state is important because it threatens the Danish state. 'Madness in great ones must not unwatched go', the King declares (III.1.189). He demands that Hamlet remain at court, under observation. Ophelia is ...
Sida
... madness of Ophelia: 'O Gertrude, Gertrude', 'O my dear Gertrude' (IV.5.78, 95); the text gives her no reply. When Laertes arrives with riotous supporters she tries to protect the King; as she says, he is not responsible for the death of ...
... madness of Ophelia: 'O Gertrude, Gertrude', 'O my dear Gertrude' (IV.5.78, 95); the text gives her no reply. When Laertes arrives with riotous supporters she tries to protect the King; as she says, he is not responsible for the death of ...
Sida
... madness keeps aloof When we would bring him on to some confession Of his true state. (III.1.7–10) Centrally, one might argue, Hamlet is about the realization of interiority. The issue is not the nature of Hamlet's subjectivity but what ...
... madness keeps aloof When we would bring him on to some confession Of his true state. (III.1.7–10) Centrally, one might argue, Hamlet is about the realization of interiority. The issue is not the nature of Hamlet's subjectivity but what ...
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... MADNESS Frailty, thy name is woman. (I.2.146) Private life is public in Denmark, then, partly because of state surveillance. Also, the family, which we may think of as a private matter, is the institution through which sexuality and ...
... MADNESS Frailty, thy name is woman. (I.2.146) Private life is public in Denmark, then, partly because of state surveillance. Also, the family, which we may think of as a private matter, is the institution through which sexuality and ...
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action actor audience BARNARDO behaviour blood character Christian Claudius Claudius’s Danish dead dear Denmark doth e’en Elizabethan England Enter Hamlet Enter the King Exeunt Exit eyes F reads father fear Fortinbras friends gentleman Gertrude Ghost give God’s hast hath hear heart heaven honour in’t is’t Jephthah judgement Julius Caesar killed King and Queen King Claudius King Hamlet King of Denmark King’s Laertes Laertes’s look madness MARCELLUS marriage means misogyny mother murder nature night Norway o’er Ophelia OSRICK Paul Prescott performance perhaps phrase play play’s PLAYER poison Pollax Polonius Polonius’s pray Presumably Prince Prince Hamlet probably Pyrrhus Q2 and F Q2 reads Quarto rapiers revenge REYNALDO Richard II Rosencrantz and Guildenstern scene SECOND CLOWN seems sense Shakespeare soliloquy soul speak speech sweet sword tell theatre thee There’s thou thoughts tragedy Trumpets Voltemand what’s word