HamletPenguin UK, 7 apr. 2005 - 400 sidor 'The Mona Lisa of literature' T. S. Eliot |
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... William Shakespeare HAMLET Edited with a Commentary by T. J. B. Spencer Introduced by Alan Sinfield The Play in Performance by Paul Prescott Contents General Introduction The Chronology of Shakespeare's Works Introduction The.
... William Shakespeare HAMLET Edited with a Commentary by T. J. B. Spencer Introduced by Alan Sinfield The Play in Performance by Paul Prescott Contents General Introduction The Chronology of Shakespeare's Works Introduction The.
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William Shakespeare. Contents. General Introduction The Chronology of Shakespeare's Works Introduction The Play in Performance Further Reading HAMLET An Account of the Text Commentary Follow Penguin FOUNDING EDITOR: T. J. B. SPENCER GENERAL ...
William Shakespeare. Contents. General Introduction The Chronology of Shakespeare's Works Introduction The Play in Performance Further Reading HAMLET An Account of the Text Commentary Follow Penguin FOUNDING EDITOR: T. J. B. SPENCER GENERAL ...
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... performance Shakespeare's characters can give the impression of a superabundant reality, he is not a naturalistic dramatist. None of his plays is explicitly set in his own time. The action of few of them (except for the English ...
... performance Shakespeare's characters can give the impression of a superabundant reality, he is not a naturalistic dramatist. None of his plays is explicitly set in his own time. The action of few of them (except for the English ...
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... performance is demonstrated by the fact that only about half of his plays appeared in print in his lifetime, in slim paperback volumes known as quartos, so called because they were made from printers' sheets folded twice to form four ...
... performance is demonstrated by the fact that only about half of his plays appeared in print in his lifetime, in slim paperback volumes known as quartos, so called because they were made from printers' sheets folded twice to form four ...
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... performance of the plays could render the original texts viable in terms of the modern theatre. During the twentieth century appreciation of Shakespeare's work, encouraged by the availability of audio, film and video versions of the ...
... performance of the plays could render the original texts viable in terms of the modern theatre. During the twentieth century appreciation of Shakespeare's work, encouraged by the availability of audio, film and video versions of the ...
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action actor audience BARNARDO behaviour blood character Christian Claudius Claudius’s Danish dead dear Denmark doth e’en Elizabethan England Enter Hamlet Enter the King Exeunt Exit eyes F reads father fear Fortinbras friends gentleman Gertrude Ghost give God’s hast hath hear heart heaven honour in’t is’t Jephthah judgement Julius Caesar killed King and Queen King Claudius King Hamlet King of Denmark King’s Laertes Laertes’s look madness MARCELLUS marriage means misogyny mother murder nature night Norway o’er Ophelia OSRICK Paul Prescott performance perhaps phrase play play’s PLAYER poison Pollax Polonius Polonius’s pray Presumably Prince Prince Hamlet probably Pyrrhus Q2 and F Q2 reads Quarto rapiers revenge REYNALDO Richard II Rosencrantz and Guildenstern scene SECOND CLOWN seems sense Shakespeare soliloquy soul speak speech sweet sword tell theatre thee There’s thou thoughts tragedy Trumpets Voltemand what’s word