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Sida 76
At the start of the eighties , there were in essence three major art critics in Jamaica Andrew Hope , Gloria Escoffery and Archie Lindo— although a few others were also writing . They represent three distinct perspectives that are each ...
At the start of the eighties , there were in essence three major art critics in Jamaica Andrew Hope , Gloria Escoffery and Archie Lindo— although a few others were also writing . They represent three distinct perspectives that are each ...
Sida 79
ment of the Artist's Eye column in the early eighties , which was negotiated by a group of concerned artists and art lovers with the management and editors of the Gleaner as an alternative to Andrew Hope's columns .
ment of the Artist's Eye column in the early eighties , which was negotiated by a group of concerned artists and art lovers with the management and editors of the Gleaner as an alternative to Andrew Hope's columns .
Sida 82
One fundamental problem in the writings of Andrew Hope is that he has approached Jamaican art from a pre - existing model of what it should and should not be and that he approached himself as an arbiter of artistic legitimacy .
One fundamental problem in the writings of Andrew Hope is that he has approached Jamaican art from a pre - existing model of what it should and should not be and that he approached himself as an arbiter of artistic legitimacy .
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Bibliografisk information
| Titel | Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, Barbados |
| Bidragare | International Association of Art Critics. Southern Caribbean |
| Utgivare | AICA, 2000 |
| Original från | Texas universitet |
| Digitaliserad | 24 mar 2008 |
| ISBN | 9768077816, 9789768077813 |
| Längd | 133 sidor |
| Exportera citat | BiBTeX EndNote RefMan |