Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
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Sida 46
... Biennial , created in 1984 , which in the last two years Lillian Llanes has promoted and shown outside Cuba and the creation in 1992 of the Caribbean Painting Biennial of Santo Domingo , the most important exhibition specialized in the ...
... Biennial , created in 1984 , which in the last two years Lillian Llanes has promoted and shown outside Cuba and the creation in 1992 of the Caribbean Painting Biennial of Santo Domingo , the most important exhibition specialized in the ...
Sida 49
... Biennial has forged a new wave of artists who are not afraid of facing and making public the big problems these people are facing . Since mid - 80's , social criticism has been the prevailing subject matter of Cuban plastic art . ( 4 ) ...
... Biennial has forged a new wave of artists who are not afraid of facing and making public the big problems these people are facing . Since mid - 80's , social criticism has been the prevailing subject matter of Cuban plastic art . ( 4 ) ...
Sida 50
... Biennial of Lubliana , Marimater O'Neill at the Cuenca Biennial and José Morales at the Estandartes Show in Monterrey Mexico in 1998. The ceramic production also made us see how our artists , won prizes ; Sylvia Blanco in 1983 and 1986 ...
... Biennial of Lubliana , Marimater O'Neill at the Cuenca Biennial and José Morales at the Estandartes Show in Monterrey Mexico in 1998. The ceramic production also made us see how our artists , won prizes ; Sylvia Blanco in 1983 and 1986 ...
Vanliga ord och fraser
1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings