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Historically modernity began with the Caribbean as its site of confrontation ; with the European attempt to reduce native Americans and Africans to the status of mechanical objects without subjectivity . Originally it is identical to ...
Historically modernity began with the Caribbean as its site of confrontation ; with the European attempt to reduce native Americans and Africans to the status of mechanical objects without subjectivity . Originally it is identical to ...
Sida 15
scene as expressions of European ability to transform the raw material of other “ inferior " cultures into sublime realizations of “ Western " culture . These changes on the European scene , generally regarded as starting in the ...
scene as expressions of European ability to transform the raw material of other “ inferior " cultures into sublime realizations of “ Western " culture . These changes on the European scene , generally regarded as starting in the ...
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The Amerindians , and even this term is fraught with consequences of which we should remain very much aware , were located and relocated in a variety of temporal and spatial relationships to the European , and also the Asian .
The Amerindians , and even this term is fraught with consequences of which we should remain very much aware , were located and relocated in a variety of temporal and spatial relationships to the European , and also the Asian .
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activity aesthetic African AICA southern caribbean American Andrew artists association attempt Barbadian barbados become Biennial called Caribbean art criticism century challenge chapter Collection colonial concept concerned considered contemporary context continue countries create cultural David discourse discussion dynamic E-mail establish European examine exhibition existence experience expression fact forms Gallery Hope human idea identity important integration interest interpretation intuitive island issues Jamaican art lack language Latin American living look Luis Rafael Sánchez means modernism Museum narrative National nature North objects organization origins painting particularly perspective political postmodernism Poupeye present prints problems produced published questions reality recent reflect region relations represents result role seems shared significant situation social society space specific suggests symposium term theme tradition understanding University Veerle views vision visual arts West Western writings
Bibliografisk information
| Titel | Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, Barbados |
| Bidragare | International Association of Art Critics. Southern Caribbean |
| Utgivare | AICA, 2000 |
| Original från | Texas universitet |
| Digitaliserad | 24 mar 2008 |
| ISBN | 9768077816, 9789768077813 |
| Längd | 133 sidor |
| Exportera citat | BiBTeX EndNote RefMan |