Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
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Sida 76
... Hope's main professional activity for some thirty years and he is arguably Jamaica's only professional critic . Andrew Hope is also Jamaica's most controversial critic and much of the uneasiness that surrounds the subject today can be ...
... Hope's main professional activity for some thirty years and he is arguably Jamaica's only professional critic . Andrew Hope is also Jamaica's most controversial critic and much of the uneasiness that surrounds the subject today can be ...
Sida 79
... Hope's columns . ( This group included Tina Spiro who is present at this conference . ) The idea was to write from an artist's point of view , as the name of the column suggested , and the group aimed to review all local exhibitions ...
... Hope's columns . ( This group included Tina Spiro who is present at this conference . ) The idea was to write from an artist's point of view , as the name of the column suggested , and the group aimed to review all local exhibitions ...
Sida 82
... Hope is that he has approached Jamaican art from a pre - existing model of what it should and should not be and that he approached himself as an arbiter of artis- tic legitimacy . Too many of our critics still indulge in such canon wars ...
... Hope is that he has approached Jamaican art from a pre - existing model of what it should and should not be and that he approached himself as an arbiter of artis- tic legitimacy . Too many of our critics still indulge in such canon wars ...
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1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings