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The controversies of the eighties may seem like a somewhat quaint and unfortunate episode in the history of Jamaican art criticism but they are in fact still surprisingly relevant to the present day , even though some of the ...
The controversies of the eighties may seem like a somewhat quaint and unfortunate episode in the history of Jamaican art criticism but they are in fact still surprisingly relevant to the present day , even though some of the ...
Sida 82
Another problem that concerns me is the dogmatism that informs so much of what is still today written about Jamaican art . One fundamental problem in the writings of Andrew Hope is that he has approached Jamaican art from a pre ...
Another problem that concerns me is the dogmatism that informs so much of what is still today written about Jamaican art . One fundamental problem in the writings of Andrew Hope is that he has approached Jamaican art from a pre ...
Sida 91
Whose Jamaican art ? Whose Caribbean art ? BY ANNIE PAUL I As a coffee table book Modern Jamaican Art is quite successful . The layout and design are pleasing and the colour reproductions of artwork in it are of a high quality .
Whose Jamaican art ? Whose Caribbean art ? BY ANNIE PAUL I As a coffee table book Modern Jamaican Art is quite successful . The layout and design are pleasing and the colour reproductions of artwork in it are of a high quality .
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Bibliografisk information
| Titel | Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, Barbados |
| Bidragare | International Association of Art Critics. Southern Caribbean |
| Utgivare | AICA, 2000 |
| Original från | Texas universitet |
| Digitaliserad | 24 mar 2008 |
| ISBN | 9768077816, 9789768077813 |
| Längd | 133 sidor |
| Exportera citat | BiBTeX EndNote RefMan |