Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
Från bokens innehåll
Resultat 1-3 av 15
Sida 60
... Veerle Poupeye , Introduction Modern Jamaican Art ; “ Jamaican Art 1922-1982 " by David Boxer ( p . 21 ) ; " Contemporary Jamaican Art " Veerle Poupeye ( p . 87 ) stream " ARTnews Summer 1995 , Eneid Routté - Gomez " Myth , magic and ...
... Veerle Poupeye , Introduction Modern Jamaican Art ; “ Jamaican Art 1922-1982 " by David Boxer ( p . 21 ) ; " Contemporary Jamaican Art " Veerle Poupeye ( p . 87 ) stream " ARTnews Summer 1995 , Eneid Routté - Gomez " Myth , magic and ...
Sida 97
... Veerle chooses to open her book with is now obvious . While Lam whose achievement Mosquera describes as displacing " the focus from forms to meanings , in a coherent , natural and spontaneous manner , something that had never been ...
... Veerle chooses to open her book with is now obvious . While Lam whose achievement Mosquera describes as displacing " the focus from forms to meanings , in a coherent , natural and spontaneous manner , something that had never been ...
Sida 100
... Veerle says the following : " While Cozier is primarily concerned with local issues , other Caribbean artists have added a broader perspective to their social commentaries " . She cites with approval and contrasts Cozier with Moroccan ...
... Veerle says the following : " While Cozier is primarily concerned with local issues , other Caribbean artists have added a broader perspective to their social commentaries " . She cites with approval and contrasts Cozier with Moroccan ...
Vanliga ord och fraser
1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings