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Sida 22
By so doing the insecurities that plague the Western art scene will not be mindlessly reproduced by regional artists ... traditions will not be reduced to mere tributary status to the heroic proposition of the West as world culture .
By so doing the insecurities that plague the Western art scene will not be mindlessly reproduced by regional artists ... traditions will not be reduced to mere tributary status to the heroic proposition of the West as world culture .
Sida 32
J.A.Froude's condemnation of the British West Indies , written in 1888 remarked that : “ in the Caribbean [ t ] here has been romance , but it has been the romance of pirates and outlaws ... [ T ] here are no people in the true sense of ...
J.A.Froude's condemnation of the British West Indies , written in 1888 remarked that : “ in the Caribbean [ t ] here has been romance , but it has been the romance of pirates and outlaws ... [ T ] here are no people in the true sense of ...
Sida 97
It is a construction ' made in the West ' that excludes , diminishes , decontextualizes and banishes to bantustans a good part of the aestheticsymbolic production of the world . It is becoming increasingly urgent especially for Latin ...
It is a construction ' made in the West ' that excludes , diminishes , decontextualizes and banishes to bantustans a good part of the aestheticsymbolic production of the world . It is becoming increasingly urgent especially for Latin ...
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activity aesthetic African AICA southern caribbean American Andrew artists association attempt Barbadian barbados become Biennial called Caribbean art criticism century challenge chapter Collection colonial concept concerned considered contemporary context continue countries create cultural David discourse discussion dynamic E-mail establish European examine exhibition existence experience expression fact forms Gallery Hope human idea identity important integration interest interpretation intuitive island issues Jamaican art lack language Latin American living look Luis Rafael Sánchez means modernism Museum narrative National nature North objects organization origins painting particularly perspective political postmodernism Poupeye present prints problems produced published questions reality recent reflect region relations represents result role seems shared significant situation social society space specific suggests symposium term theme tradition understanding University Veerle views vision visual arts West Western writings