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even kept under cover , to save their thesis of the absolute originality and innovativeness of modern Western artists . ( 1992 , p . 78 ) In other words pluralism and eclecticism did not start with postmodernism but was there in early ...
even kept under cover , to save their thesis of the absolute originality and innovativeness of modern Western artists . ( 1992 , p . 78 ) In other words pluralism and eclecticism did not start with postmodernism but was there in early ...
Sida 22
By so doing the insecurities that plague the Western art scene will not be mindlessly reproduced by regional artists , or privileged by critics both desperate to look intellectual . In such a model non - Western traditions will not be ...
By so doing the insecurities that plague the Western art scene will not be mindlessly reproduced by regional artists , or privileged by critics both desperate to look intellectual . In such a model non - Western traditions will not be ...
Sida 66
By specifying the “ Caribbeanness ” of the artwork's formal system , the critic can avoid the narcissistic historical and ideological biases of Western aesthetics and philosophy of Western art . While art is capable of being appreciated ...
By specifying the “ Caribbeanness ” of the artwork's formal system , the critic can avoid the narcissistic historical and ideological biases of Western aesthetics and philosophy of Western art . While art is capable of being appreciated ...
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Bibliografisk information
| Titel | Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, Barbados |
| Bidragare | International Association of Art Critics. Southern Caribbean |
| Utgivare | AICA, 2000 |
| Original från | Texas universitet |
| Digitaliserad | 24 mar 2008 |
| ISBN | 9768077816, 9789768077813 |
| Längd | 133 sidor |
| Exportera citat | BiBTeX EndNote RefMan |