Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
Från bokens innehåll
Resultat 1-3 av 32
Sida 35
... historians and to art historians is therefore to use discretion in the employment of these images as we continue to rewrite history . Print illustrations which appeared in the centuries following the first encounter served primarily to ...
... historians and to art historians is therefore to use discretion in the employment of these images as we continue to rewrite history . Print illustrations which appeared in the centuries following the first encounter served primarily to ...
Sida 92
... art into " mainstream " and " intui- tive " . The language in which " intuitive " art is described conforms exactly to the way in which European art history discusses what it calls " naive " or " primitive " art . " They were born with ...
... art into " mainstream " and " intui- tive " . The language in which " intuitive " art is described conforms exactly to the way in which European art history discusses what it calls " naive " or " primitive " art . " They were born with ...
Sida 100
... art history . What is produced in the book Caribbean Art is yet another narrative attempting to impose outdated metropolitan theories on Caribbean visual art . It must be accepted that the Caribbean is not merely another passive ...
... art history . What is produced in the book Caribbean Art is yet another narrative attempting to impose outdated metropolitan theories on Caribbean visual art . It must be accepted that the Caribbean is not merely another passive ...
Vanliga ord och fraser
1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings