Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
Från bokens innehåll
Resultat 1-3 av 68
Sida 57
... artists have taken things into their own hands , producing art marketing hybrids that are not generally practiced in the rest of the world . The reasons for this are not entirely economic , and derive from such diverse senti- ments as ...
... artists have taken things into their own hands , producing art marketing hybrids that are not generally practiced in the rest of the world . The reasons for this are not entirely economic , and derive from such diverse senti- ments as ...
Sida 92
... artists . " It is this last category of artists we are concerned with here , art produced by working class men and women with no formal training in art . In Jamaica rather than call such artists " primitive " Boxer came up with the ...
... artists . " It is this last category of artists we are concerned with here , art produced by working class men and women with no formal training in art . In Jamaica rather than call such artists " primitive " Boxer came up with the ...
Sida 106
... artists , professional and amateur . Barbados , however , still lacks any purpose - built exhibition space . of The key elements are diversity and accessibility . It is important to provide a range opportunities for artists and their ...
... artists , professional and amateur . Barbados , however , still lacks any purpose - built exhibition space . of The key elements are diversity and accessibility . It is important to provide a range opportunities for artists and their ...
Vanliga ord och fraser
1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings